Deepika Dhilip

Cinematographer : This is a kind note to you sir. Why on earth do you continously keep shaking the camera while someone delivers his best acting through facial expressions & difficult dialogs ? You are absolutely the main reason for my headache to escalate even with cold coffee in my hand. Why do you show all the amazing art work, fantastic gold jewelry & silk dresses in poor light? To search & strain eyes in the dark!? Please don't shake the camera, just to shake up the audience. Shaking the Camera doesn't give any effect just an added amount of headache. Choreographer : There s this demonic song in the first half which gave me the creeps. I just wanted to run out of theatre. For the very first time, for an ordinary song, i was scared to the bone. I didn't enjoy it at all. What is the reason to fly the Actors & name it as dance? please, i would like to know the name & existence of this particular dance ! Theatre Response : The audience s patience level was being tested & I saw many people leave the hall, some people sleeping hard, actually snoring. This movie got a major plus point as it had removed a major depression insomnia for many, some others cracked jokes here & there which i thoroughly enjoyed. Even myself, slept hard that night. One of the jokes which i enjoyed was Thai Kelavi, which you will understand if you watch the movie.My Health Issues : I got a terrible headache trying to understand the movie & trying my level best to enjoy the songs. In order to beat the boredom, i had junk food like chips, cold coffee & whiled my time away. Final Words : I wish there had been narration in the background to throw light on the bevy of characters & a string of information at the bottom like subtitles to educate the audience. People who compare this movie to Baahubali couldn't interpret in a easy way to make others understand because they were quite confused themselves after watching PS 1. Baahubali had a story, made sure everyone understood the scenes neatly as the screenplay rocked, background narrative prepared us for scenes, no camera shake, ample lighting for the grandeur it possessed. Baahubali might have taken Inspiration from Ponniyan Selvan but Rajamouli made sure to give a profoundly, perfect, clear performance.If you want to waste your time and money, please go for it. But i am very sure the mixed reviews will get people thinking to watch this movie. I feel sad that Kalki s Literary work had to be shown in such poor light. At the end of the day, a film should be enjoyed, entertaining enough not be cursed due to boredom. This heavily dragged tale is like a jigsaw puzzle trying to fit in everywhere, lacking clarity and ended up becoming a disaster. I feel sad for the producers. Analogy : I tried my best to rack my brains and understand what was actually happening & why all the scenes are so uniquely unconnected. What do i do now? Do i strain my eyes to see the character, or try to understand why this character appeared, or to find out the character s relationship with one another, or stay focused on the shaking camera, or wonder why songs & war scenes jump up suddenly to jerk me off? should i wait for the absent narration to magically appear & enlighten me? Maybe Mani Ratnam sir would come & sit next to me explaining why such a genius like him would do such a thing. I couldn't connect myself to the characters. There was so much lag & i didn't even want to know what s going to happen next, there was zero thrilling aspect. I was confused, struggled hard & felt like suffocating.

Mandela 2021 Movie Review Just exactly one day before the big election event, came the release of Mandela - directed by Madonne Ashwin (directorial debut) which had sensible good last-minute lessons that added to its credit. I really do hope that everyone might have watched it on the day of release & sincerely pray that every citizen of india should watch this movie, it would reflect on future votes too. Indubitably, this movie is one of the finest ones in which Yogi Babu has acted, he knows his game well in choosing the apt script. Humour at its every frame that had been film-sized was worthwhile a watch. The script had cleverly inserted some thought-provoking witty ideals which was covered in casual level humour. The film is a thorough voice over of the common man & brutally open-honest to the point of answering questions that have no answers. The raw, unfiltered village sequences shot by Vidhu Ayyanna (Cinematography) had really brought me to close contact with the characters of the movie. Each shot is still etched in my mind. The complete mannerisms of all the villagers were so beautifully captured. Though it is a thorough drama movie, the emotion that lay deep within the plot is well received by the visuals. The story is so captivating that it leaves you stunned into serious silence and then suddenly breaking into laughter. I love the way the innocence of the lead characters was so well portrayed that you will feel a sense of sympathy at every stage. The movie ‘s greatest achievement, clearly talks about the most debated topic of recent times – Casteism, Vote-Bank Politics in which one cannot deny that it is found everywhere and we are all so used to it. This concept was so well shelled into humour that it is hard to find out the difference. It was categorically full of engaging suspense that slowly starts building inside you, right until the very last minute that kept me thinking all the whole while on how it was going to end. I enjoyed it by forgetting myself for nearly 2 hours and definitely would watch it again for some more fun. Good Show! Hats off to Mandela Team.

WARNING-Trigger-Alert: The below review consists of statements which shares disturbing content that includes topics such as violence, blood-shed, physical abuse etc. “In the extremely competitive thick forest, I repeat, that the lion, tiger and leopard have won audiences with their performances which seems to be challenging each other.” Packing the first 30 minutes with huge blocks of perplexing data was kind of an overloading visual play, which was quite difficult to process. As and when you start to waver, or try to clasp the events that unfold, that s when these three legends attempt to give you the hang of it, until the fast pace settles down in an understandable track, in such a hypnotic way that gets you addicted and you cannot tear your eyes off them. This movie is a rapid racer script, sprinkled with intermittent goosebump moments. To ease off the high pressure, steam & tension, the light hearted humorous moments gives the audience, a much-needed break. There are so many shocking twists & implausible turns in this crime-drenched plot which brands “Vikram” so intriguing & electrifying to watch. I don’t want to reveal anything because I felt that being one among the audience who thoroughly enjoyed the look, feel & make of this movie, selfishly desire that the person reading this should also experience that joy, as their very own to relish. I personally saw some people among the audiences, wherein their jaw literally dropped, or people covering their eyes/mouths to escape shock. The flabbergasted cinematography by Girish Gangadharan (myself a big fan of him) literally made the plot move swiftly with sundry startling directions that were shot so gorgeously, so mesmerizing, adding the picture-perfect colour to the bloated amount of grisliness. Thank you, sir, for manufacturing some blood-spattered gory scenes into dullness, because if I saw those in it’s true light it’s definitely going to be hard time forgetting it. I felt that the cinematic barging violence was a bit too strong, bringing out the continuous repertoire of explosions (my heart burst), chases (my heart raced), gunfights, fire blasts (my eyes flamed in their light), screaming bullets (my ears were ringing), hyper-heroic acts, horrendous stunt scenes, made my head spin, dizzy with adrenaline, I was staring in disgust and had jerky moments with all the surprise attack bloodshed, fleshy bloody scenes which I don’t want to see again, it would undeniably make my flesh crawl. I experienced a different type of horror and I feel “The Ghost” had done its job so well. I wouldn’t say that the movie is devoid of it ‘s flaws, here and there you may feel inky bits of boredom, that’s because it was too overwhelming for the mind to watch. Kamal Hassan: Long wait - 4 years, Mr. Nice Guy, after a long break, he s back in business! He who knows the tricks of the trade, knows what he wants, knows what to telecast, has flashed his flairs yet again with his “Andavar” act. Words fail me when I think of the hard work that he has put forth, considering his delicate aging body for the success of this movie. KH is fab, he’s fickle, he’s funny, he’s sensitive, yet so unpredictably manly in everything that he does, moves his lips to talk, the movie ‘s got all of these tough-to-get emotions rolling.

How to Watch Aarkkariyam (Malayalam) 2021 1. Switch on the TV. 2. Note down the Length of the Movie . 3. Set an alarm for 2 hours. 4. Pack some pillows in your sofa. 5. Guaranteed to have a sound sleep. 6. You have to wake up again to switch off the T. V. In case if you really want to watch this movie, you can very well use your iPad, play your favorite games, mine was caroom and i won so many rounds. Thanks to Director Sanu John Varghese. I really wanted to ask this to him, "It may be your directorial debut, but did you really want to invest in this sober slow serial with no thrill or comedy or even drama as you call it which is dead." Cinematography of G. Sreenivas Reddy, question for you "What the hell man, do you want me to just watch picturesque shots of kerala with some light romantic dinner Time music?" I just want to ask the makers of this movie, "Grow up for heaven sake people, how long would you follow in the footsteps of Dhrishyam, and keep convincing people to hide their heinous crimes in the name of love?". There s nothing in this movie worth watching and i assure you that you will not miss any scene, you won't be worried even if you go out for a second helping of dinner or a short visit to the loo. You can even hum a favorite tune of yours. My dad was singing a famous Harris Jayaraj Tune and i really felt like playing my Guitar. You can even know how to cook, as slowly they will show you to, especially the butter scenes and some fish frying. The last scene, the ending was the best thing that ever happened to me. The climax was unbelievable. Kudos. Original Content by Ar Deepika Dhilip

Shortest Review:Andhaghaaram (2020) I am still Searching for the Director & the Story. The paranormal activites will never cease to be mysterious because no matter how much you try to intensify it with thrilling aspects, if people can't understand the complexity of the film, the concept is lost & far-fetched. I expected a lot seeing other people hyped reviews & rating. A major let down mainly because the beautiful art work camera failed to catch up with the futuristic story ideology that is difficult to digest. I find it rather putrid because instead of following the storyline, I was lost & confused trying to reason out the logic behind the scenes, finding my own way to interpret and understand the story. The realistic scenes makes it more eerie. I feel that if the director paid a little more attention to what was been displayed in order to make the audience understand his mind it would have been well applauded. Please Note : My Review is Complex because of this movie & its influence.👍🏻 Original content by Ar. Deepika Dhilip

As my very first time, I feel quite elated to write a review for an STR Movie devoid of adult content, just like the lead actor Silambarasan, finally taking a decision to act in this decent movie “Maanaadu”, written & directed by Venkat Prabhu, who is known for his less-stress scripts & for his first collaboration with STR. It is important to decisively give a fair chance to STR, who is currently joining the Kollywood league by competing with his colleagues through his many obstacles. One can assuredly witness, a visually much-changed humble, leaner Silambarasan both by appearance and attitude, who is trying his best to be an emotionally, responsible mature adult even at this movie ‘s recent press-meet, wherein he sensationally battled with his own emotions, he deserves copious goodness and more, by this much awaited success block giving uplifts to his career graph. It Is unmistakably a “Silambarasan Comeback” movie which is a thorough thrilling, entertaining watch, dealing with the concept of time loop roping in religion, politics, terrorism elements, which might be a little too complex for Tamil Nadu audience but it’s unequivocally an ocular indulgence for all the STR fans with a stride of Hollywood trope. These types of situations were brilliantly-penned and fantastically put together by editor Praveen KL who merits a special mention. Arguably, many people would want to watch it a second time just to understand the sequences properly. It may look like the usual same old story for the first 15 minutes but it suddenly takes a sharp turn. Actor S.J. Suryah's performance is mind-blowing, deserves praise, applause & more. His years of timed experience, distinctive expression has bypassed all the other supporting actors in this movie. It was indeed captivating to watch both Actor S. J. Suryah & STR ‘s engrossing performances competing with each other. Y. G. Mahendran, the veteran, drama artist that he naturally is, excels in his most important role, which he pulls off in a rather casual manner, making a true mark. As a big fan of Yuvan Shankar Raja sir, cheers to him for creating a strong rhythmical musical beat for the song "Meherezylaa" with it ‘s flamboyant choreography adding to it ‘s loveliness. Richard M. Nathan ‘s cinematographic signature shots make most of the highlights of this film, as per the requirements of this story. There is also a strong rumour about him, which is widely believed that all the movies in which he acts in Cameo roles have become box office hits. Cheers to the entire working team & technicians for bringing out a mass entertainer, considering the working conditions initiated during the first and second wave of the COVID-19 pandemic with the the makers wrapping the shooting of the film within July 2021, taking only a paltry 68 working days for shooting. Adding my “All the very best“ compliments for the success of Maanaadu being a refreshing watch! Congratulations Maanaadu Team! Original Content By Ar Deepika Dhilip

Cant wait to see and update my review

Mind Blowing Performance by all..

God Review for this movie.. Ohhh Eeashwaraaaaa!!! Whatta cart load of nonsense.. And i really hated Kumuda Happy too. She looks old. The other actress has something on her chin the moment she opens her mouth to say something. Mr Simbu, your weight loss makes me feel that a 12 standard boy can hit guys, save the day, romance the heroine.. I just can't digest it. You need a detox, for both your movies & choosing your scripts well. If anyone wants to kill their time doing nothing but watch some village photographic landscape & scenarios , go ahead! No Guarantees here! Original Content by Ar Deepika Dhilip