“The Shift: A Preachy Plot in a Sci-Fi Package”
“The Shift” promised an intriguing exploration of the multiverse, but instead delivered a sermon. The film, masquerading as a modern take on the multiverse, is in reality a contemporary rendition of the biblical story of Job. The experience was akin to attending a modern, upbeat, happy, clappy church service, complete with condescendingly loving Christians and monotonous praise music. The film’s attempt at realism fell flat, with scenes set in a bar where no one drinks, presumably to avoid the sin of alcohol. Instead, characters discuss relocating to enjoy a cup of tea. The protagonist, Kevin, a stand-in for Job, is given new children but retains his original wife. This raises the question: why not provide him with a new wife and children, and then explore his happiness despite the murder of his original family, akin to the biblical narrative? The climax features the benefactor/devil character offering Kevin a choice. When Kevin’s decision deviates from expectations, the benefactor appears baffled, having been outsmarted once again. The film’s insistence on viewers staying for a post-credits “message” was particularly irksome. In conclusion, “The Shift” was a disappointing cinematic experience. Any other film released this weekend would likely have been a more enjoyable choice. I regret not researching the plot more thoroughly beforehand, and I would advise potential viewers to do the same, unless they have a particular fondness for church-like narratives.