Hunter Hoehn – Google

The Force is definitely not with this movie. Rian Johnson is a talented and capable director but does not understand Star Wars, nor respects pre-existing story elements. A story so devoid of logic and anything even resembling entertainment it frustrates even future generations. Terrible characterizations of fan favorite characters and complete disregard of previous character development (Hux going from a confident character into a sniveling bumbling coward) that is downright disrespectful. Save yourselves the trouble and avoid this movie like the plague, considering the following film pretty much retcons everything that happens anyways.

‘Megan Is Missing’ is about as good as it’s quality of filmmaking, absolutely terrible. The fact that this film has a 60% on rotten tomatoes is beyond unacceptable; the quality of filmmaking is on par with a failed film school project, the acting is on the level of porn quality, and it’s portrayal of teenagers is about as out of touch as the director himself. The film portrays teenagers as unrealistic as its found footage premise, portraying them as shallow sex crazed druggies. The acting and dialogue is equally unrealistic with the character Megan boasting about the fact that she pleasured a 17 year older when she was 11, which the director says he quoted the dialogue from an actual teenager he spoke with but I think is lying out his ass. This film focuses on the dangerous of teenagers on the internet yet does this to a parody level extent which downright disrespects the harmful and upsetting nature of teenage abduction and abuse. This film deserves none of its praise and should be left at the bottom of the Walmart 5 dollar movie bin.

Toxic Relationships: the movie! ‘The Kissing Booth’ is a sexist and out of touch mess of a film disguised as a romantic young adult comedy. How this film portrays how young adults act is beyond laughable (and not in a genuine funny way) and how it portrays romantic and platonic relationships is just disturbing. The love interest, Jacob Elordi’s character, is a controlling womanizing creep who most of the film manipulates Joey King’s character’s social life behind the scenes (preventing other young men from trying to ask her out through threat of violence.) Joel Courtney’s character, the main protagonist’s (Joey King) best friend is overbearing and holds sacred these “best friend” rules which both characters made when they were children and should’ve grown out of. Joey King’s character, main protagonist, is an idiot for condoning the actions and behaviors of both love interest and best friend when any sane and self respecting young woman would’ve ditched the two the moment they could. This film did not deserve a sequel, nor its upcoming third installment, and should’ve been shot down before it even reached pre-production.