Zachariah Clark

Amidst the over use of dead silence, this exemplary film offers heavy and implied emotion through those seemingly empty areas, offering implied input which could not have been spoken with words. Blonde showcases an accurate depiction and forces a new perspective on the word “vintage”, combining both modern and periodic film styles beautifully blended into one refreshing piece of art. Ana de Armas expresses such a vulnerability in this role piercing to each viewer, that any slip of the accent appears to be solely Marylin Monroe. All this to say… this exceptional film is geared only to those with a more sophisticated film palate