N Williams

White Lotus is a dark tragicomedy that takes its time to develop the numerous, parallel storylines of its characters. The acting is strong pretty much from top to bottom, with a particularly compelling performance from the lovely Alexandra Daddario and her mesmerizing, amazingly expressive eyes. The show takes aim at a range of 21st century hot-button cultural issues—from rich white people privilege to racism and exploitation of brown people—but does so mostly with a healthy dose of skepticism and snark. At a few points I thought the writing did get a bit culturally preachy and veered into stereotypes here and there, but only around the edges. And in keeping with the neo-noir-ish approach, it culminates in divorce, assault, felony burglary, drug-fueled sex partying, defecation in a suitcase, and homicide. But the main characters (except for the dead one) all progress mentally, emotionally and spiritually despite all of the dysfunction that they both perpetrate and are surrounded by. 4.50 stars rounded up.

The visuals are stunning. However, even for someone who read the books back in the day, it’s very difficult to follow the plot lines, the pacing is dreadfully slow and … boring, and despite the all-star cast, the “acting” is uninspired. Actually, there really is very little acting. It’s mostly just characters doing stuff while the cinematographer focuses on their mostly expressionless faces. Wait for this one to come out on streaming, because it’s just not worth $100 for a couple of tickets, popcorn and drinks. I rounded up from 2.5 stars primarily because of the visuals.

I love that the director just had everyone speak in their normal accent. It makes this comical group of Stalin's bumbling henchmen even funnier and more boorish.

From start to finish, there was never a dull moment in Gran Turismo. The storyline—very loosely based upon actual events—is simple but inspiring; the photography and special effects are engaging; and at least in Dolby, the audio has all the growls and rumbles to make you feel somewhat like you’re on a racetrack. Go watch it on the big screen, preferably in Dolby or IMAX. More than likely, you’ll leave with a big grin on your face. Just don’t expect the movie to reflect Jann Mardenborough’s story or even racecar driving very accurately. It’s summer entertainment.