Thomas Wolf

Unlike Wes Anderson’s other films, this is by far the worst. It’s super pretentious with stilted acting, terrible dialogue and very little Anderson charm we are used to. Starting with French Connection, it seems as if Andersons is purposefully trying to alienate his audiences, trying to see if he can make something so contrite and then see who rubs his ego saying it’s brilliant - all the while himself knowing that this is steaming garbage.