Francisco Javier

Starting with the visual effects of the communications until finishing what some supposed, it was going to happen. This film has a strong philosophical source: the river follows the course, apparently invariable, although it is always something new. Waiting and separate worlds, even distanced in every way, eventually reunite if they are destined to reunite; In other dimensions, forms, but they are. The amorous sensation, the various trances of the characters and their difference between them, in the end come together because in this film there is no scene that is complementary, since everything, like the philosophical conceptualization, is abstracted in an order that if it is well understood has patterns in the living, adaptable and moving nature. It is sensational when the protagonist is a woman, an artist, sensitive and confused. The more confusion there, the more chance will be, and chance is contained in many ways and not always logical, some of which cross the barriers and undulate the quantum field of possibilities. Lives are connected; the heartbeat, the frequency that they emanate, the eyes that are a reflection of the universe in constant boiling, and a simile of the sun that, apparently distant, hits us to show us the iridescent life in all things that move. This film has beautiful shots: a color palette, the mirrors appearing to make sense of a reflection (duality) that grows as an alternative (we see how actions are unconsciously forced to change the course of things).