No One

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3.5 stars really I loved the colour grading of the film, strangely felt very LAish, be it the sunset, or the strong beam through the taxi window in the afternoon, or the glaring bus lights in the night, it had a raw texture which was touched by reality and poignance. yes, the acting seems a bit awkward at some places as if they are hyper aware of the camera, but that's okay, I'm sure with a lil more budget it would have been the perfect mix, but it still is raw story with cool music and is really more about the characters than the cinematography

3.5 stars actually. I had heard that Stanley Kubrick termed this as the most scariest film and I agree that it does give you chills down the spine as a man who appears to be so content with an affectionate family and unsuspecting career, tediously practices how he would kidnap women. The sheer act of abduction and probable disposing of them as they did not even exist is terrifying. Specially, when he indulges in screaming with his family which appears to be a normal fun activity is actually a test, him literally testing the effectiveness on his daughter in what seems like an innocent gesture is so terrifying. Adding on to that, how Rex keeps on following Raymond instead at any point going to the police or seeking justice because he is so turmoiled by the uncertainty more than actual care. IMO also how for two men, it is a discussion of their own interests, rather than genuine care about Saskia, one just curious even willing to abstain justice, and the other who sees her just a pawn who happened to be unlucky, not even targeted nothing special. I have to say it seems a bit dragged out in comparison to the actual material that is there. Also, the music score is noticeably mediocre. I think the most striking thing towards the end is how for a moment Rex thinks he has solved the puzzle by drinking the coffee and maybe it means nothing as he is going against the pre-destined. His fate is inevitable to the viewers and perhaps even for himself, but he cannot help but choose the same path despite many alternatives.

It's crazy crazy experience, the intro was amazing. I always do feel that sometimes in his films, you have to convince yourself that you mentally like it, for you like it, but apart from that an amazing watch. Julianne Moore and that mother****** dialogue was amazing, Jim and Claudia, i don't know how long they are gonna hold up bur that was strangely so warm to see them converse, Earl and Jimmy can actually go to hell, Frank is the og incel bro podcaster and I love everything they did with the character, Stanley deserves a better parent and I'm glad he could stand up for himself, Phil is an angel, and the quiz kid, he has so much love to give. But lastly the little rapper kid, he's going places. Also, can I just take a moment to say how amazing the music score of the film was, like I was saving every song that came up. The frog rain was kinda crazy but then that is PTA. Overall, even though for a lot of people this might not be their taste, but give it a watch for just the intimacy and complexity that the character portray.

girls beating up people, girls starting fight clubs, girls in a circle speaking about trauma - favourite, favourite thing ever. Also, Complicated by Avril Lavigne, and blooper reel at the end, this is teen rom-com. Somethings, I feel were a little messy. The pace of it I feel was very weird and the tonal shift might not be the smoothest. I believe the climax could've been longer or more developed in that aspect. Also love Nicholas but his character had no memorability, like if he were not even there, it would be the same, also idk it seemed lowkey annoying, I mean it was supposed to be annoying but like idk I feel he didn't do the role justice. But apart from it, fun watch.

3.5 really. Now I feel, the direction of the film is beautiful, the black and white and everything, and the cast, my god the cast is brilliant. However, I also feel that if it were probably made in a more recent times with a more sensitive approach to the Holocaust it would've been better, I agree it's a product of its times. Like the medium being English is just a way to say that this film was made for a certain audience. This is totally a personal thing but I feel the 'I could've gotten more people out' monologue being put in almost the last scenes, and in the setting where the Jews were just being grateful seemed a bit Big Saviour moment, may be if it were put somewhere before or in a setting of private conversation would've made it feel more actual guilt like than something done as a purpose of added drama to force down the saviour plot down the throat. I mean it totally is a product of its own time made from a sort of aloof perspective, but it's still worth a watch I believe.

3.5 stars actually To begin with, though I liked the series and I feel a more devoted screentime to the incidents happening was a good choice, there are certain things I wish were different. Like I get that Ripley sometimes barely gets away with things and that is the comedy of it, but sometimes it's absolutely bollocks and not very clever screenwriting, like Ravini is portrayed as fairly intelligent so it becomes sometimes unbelievable that he's tricked by the disguise (when even his voice is not altered), and there is no picture to refer to. The other thing is regarding the other supporting characters, ig barring Ravini, no one's exceptional as such [parcel of the weird deadpan acting may be or simply they have got nothing written for them except for Scott's character]. So, sometimes its boring in that aspect. But barring this, though a bit laidback in its pace, I really like the painfully slow pace of covering up the crime and him committing all those stupid stupid mistakes, or the long, tedious shots of the stairs, or the investigations which point towards no particular direction because people are stupid like that, or just merely Scott sighing anytime the telephone rings. Somehow the slowness, is hilarious and contributes to good TV time.

3 and a half stars. first off I love the acting of the entire cast, the emotional roller coaster that the story is and that they never villianize or make a character positive in a total sense, but manage to keep it ambiguous and that's the best thing. Though I love the wholesome bittersweet vibe that they serve, I feel sometimes it seems like 'fiction' rather than practical. This not a big pet peeve of mine considering this might be the vibe of the book and it's not a big deal. One thing which bothers me a bit is how there are a lot of untied strings, like a lot of them. And this totally might be because the source material, the book did not delve into it, but it still tickles me. Like I feel Hansa could've had a bigger role, what about the girlfriend of Mozazo, the s1 conversation that Sunja had with her friend seems completely different from how her life turned out; what about the poor man that Solomon met in the 1st season, all the ties with the gangster family, I'm sure the next season might deal with those but yet it makes the series a bit incomplete imo