Selçuk Kulak

The series was not well at puzzles anyway, and the purpose of the puzzles were different from just solving puzzles. A pure puzzle game is quite unnecessary.

A masterpiece in interactive storytelling. Contributing to both the story and the game by using character as a game mechanic is genius. I think Clarence effect on the story is bigger than most character in a novel. Frictional Games makes best lovecraftian games. And the journey started with this one.

A masterpiece in interactive storytelling. Contributing to both the story and the game by using character as a game mechanic is genius. I think Clarance effect on the world is bigger than most character in a novel. Frictional Games makes best lovecraftian games. And the journey started with this one.

Enemies are not good. They don't match the horror the game is trying to convey. Also, being able to attack enemies makes them boring. So the enemies suck. Except The Gray Rock Worm of course :) I think the game derives its power from the abstract mechanics between the sense of curiosity and the fear of the unknown. The tension remains there throughout the game, even though there are no enemies. It is extremely successful for a game made to establish a setting.

Unique gameplay. There is nothing like it.