Rob Bellack

The 21st Century blood of rock is back with their fourth album and it’s a killer. Every track has its own strength and makes a relentless collection. It reminds me of Avril Lavigne’s Luv Sucks because it rocks from first to last second. Some Warning fans have criticised the ‘new sound’, but those people never want their music to evolve. These talented young sisters from Mexico are passionate about their trade and constantly looking for other ways to enhance their knowledge and experience. Every track is of quality. There are no throw aways and certain album tracks are eagerly awaited by fans live in concert, such as Apologize and Escapism. The singles are already fan favourites, such as Automatic Sun and Hell You Call a Dream, and it is very clear that the next year will see them become a super group. The older generation of rock lovers get very emotional about the music of these ladies. Where innovation has slipped into mediocrity to generate sales, The Warning have regenerated the old into the new. The Warning have blended different flavours with each album and EP to create a strong collection of songs that hold up in any stadium in the world.

Waters gives a little more love to his audience and dares to interact. He succeeds, despite the political pressures he has endured. But he also sings more, plays guitar and bass, in what is a surprisingly intimate show. So different from his past shows, here is Roger Waters actually giving something back to the audience and thankfully still sticking two fingers up to the powers that be.