Lynn Miteva

A tech-bro satire at its finest—sharp, hilarious, and completely unhinged. The setup? A group of hyper-rich guys in a house casually mocking the world they basically own. At one point, the President calls. One guy asks, “Should I prepare to talk to him?” The other shrugs: “So what? He’s just a dude.” That’s the energy of this film. They’re casually debating how to stage a coup—America? The West? China? And why not. From the middle on, the plot takes unexpected turn with and more hilarious, all the way to the absurd ending. One house, a few cars, and a script sharper than a VC’s exit strategy. Bottom line? Mountainhead isn’t just a film, it’s a mirror held up to the absurdity of modern power and tech culture—except this mirror is cracked, reflective, and absolutely hilarious. If you’re looking for smart comedy with bite, this is your next must-watch.

A deeply unsettling film masquerading as prestige cinema. Conclave wastes good acting on a story that veers from slow-burn drama to grotesque absurdity. The ending is not just disturbing—it’s aggressively tasteless. The idea of a half-man, half-woman pope feels less like bold commentary and more like provocation for its own sake. It's no surprise the awards circuit embraces this; it says more about them than the film. Hollywood isn’t dying—it’s deranged. Enough with them and must be replaced. A shame, because this could have been something meaningful. Instead, it’s just disturbing for all the wrong reasons

Give me a break—it is less international espionage and more “Sex in the City.” 90% couples therapy with a side of gunplay. Too woke.

Started ok, kind of Black mirror, got me intrigued. Then came the lesbian scenes and wokiness ...unbearable. Such a good potential again ruined by Peacock wokiness.Will definitely delete Peacock channel.

Changed my review from 5 to 3. Woke and naive ending season 2. Thought it was like Person of Interest but no....it's woke. What else to expect from Peacock.

Who on earth casted the MI6 female agent Bianca? Ruins the whole show. Terrible acting, sassy and incredibly bad looking. I keep skipping ahead just not to look at her face. And so close.Everyone of MI6 is absolutely clueless and she, a low level , knows everything. The other DEI thing is the family drama of the Jackal!!! Seriously?. Also gay stuff( skip too). Enough. I'm giving 2 stars only to Eddy Redmayne, who is great. Directing is great too.

Started OK, good directing and good acting. I stopped when one of the main characters , the FBI leading agent invites the main actress to have dinner with his family. The "family" is his boyfriend. That was it. Enough of this BS. Changed the channel.

After finishing Lioness Season 2, I dived into The Agency, and it has quickly become another favorite. While the first episode feels a bit blurry and chaotic, the story picks up in the second episode, unraveling layers of intrigue and tension. What struck me most was the sense of déjà vu when I noticed similarities with Brandon, played by Michael Fassbender, and a few plot elements. When he used a rubber eraser on his book draft to detect if he was being followed, and when Ruiz, the seemingly naive CIA agent, ventured into Iran, it hit me: this is a U.S. remake of the French series The Bureau, which I once binge-watched until 4 a.m.! That said, The Agency stands strong on its own merits. It’s a well-crafted series that effectively integrates current global affairs, touching on conflicts and power plays involving China, Russia, Iran, Sudan, and more. The narrative dives into the shadowy world of double agents, kidnappings, and recruitments, keeping the stakes high and the audience hooked. The performances are compelling, and the writing keeps the tension simmering throughout. In a sea of silly and forgettable streaming content, The Agency is a refreshing standout. If you're a fan of intense, smart spy dramas, this is a must-watch!

Landman is a gripping exploration of the oil business, offering a rare and unflinching look at the challenges, ambitions, and personal sacrifices involved in the industry. It dives into the nitty-gritty of the industry, showing just how tough and complex it is, and it doesn’t sugarcoat anything. The realism here is undeniable, and you really feel like you’re getting an inside look at something most of us take for granted. Billy Bob Thornton is, as always, phenomenal. He’s so good at playing characters who are rough around the edges but deeply compelling. However, I have to agree with some of the negative reviews about his character’s family drama—it’s not my favorite part of the show either. It’s a bit too much at times, but I get why it’s there. Family dynamics, love them or hate them, are part of the reality the show’s aiming to capture. That said, Episode 4, The Sting of Second Chances, absolutely blew me away. This episode introduced a new kind of energy with the lawyer character—she’s a total powerhouse and a perfect foil to Billy’s character’s wife. Watching her crush the arrogant lawyers in the deposition scene was one of those "stand up and clap" moments. Her speech was fire, and she completely flipped the situation. It was inspiring to see someone so smart and unshakable carve her place in such a male-dominated business.Watching her tell them to draft a surrender instead of a settlement was one of the most satisfying moments I’ve seen in a while. Another standout storyline is Billy’s son, who’s determined to build or run his own oil company from the ground up. His drive and ambition are inspiring, especially when he tells his dad, “I have the dream. Not a play yet, but I’ll figure it out.” That line stuck with me. It captures the heart of the show—grit, ambition, and navigating the hard truths of life and business. Overall, Landman is worth watching, even if you’re clueless about the oil industry like I was. It’s deep, intense, and gives you a glimpse into an industry we all depend on but rarely think about. What I love most about Landman is how it captures the dual nature of chasing a dream. It’s not just about success; it’s about enduring the failures, the wins, and everything in between. The series reflects this beautifully, and it’s a lesson for entrepreneurs, business owners, or anyone striving toward a big goal. Overall, it’s a deep, thought-provoking show that’s as much about the human spirit as it is about the oil industry. Highly recommend!

Lioness Season 2: Thrilling Intelligence and Political Depth. After a first season weighed down by unnecessary sexual agendas, Lioness Season 2 delivers a refreshing, intelligent shift that hooks you from episode one. The new season cuts the distractions and leans into an impactful, politically charged storyline that feels right out of today’s headlines. From the halls of Congress to cartel conflicts, and international intrigue with China and Russia, the series sharpens its focus on complex political dynamics, oil economics, and D.C.'s security tensions—grounding the show in timely relevance. The acting is phenomenal. Zoe’s crew is so convincingly intense and gritty that you almost wonder if they’re real soldiers. The script is taut and smart, making each scene purposeful and engaging. Season 2 moves away from forced agendas, offering instead a more natural, heterosexual context that keeps its edge without being invasive. If there’s a flaw, it’s the family drama surrounding Zoe. While developing her character’s depth is essential, these prolonged scenes often detract from the high-stakes tension, especially in an episode where the family subplot consumes far too much screen time. Zoe's character, portrayed as a leader, sometimes feels weighed down by personal weaknesses that may cloud her judgment—a trait that, while humanizing, risks slowing the action. It feels like she was just "put" on this high level position as a protege, not by merit. But once the action kicks in, it’s stunningly immersive. The choreography and stakes make you feel like part of the unit. If the producers stick to this compelling mix of intelligent storytelling and intense action, Lioness Season 2 will be remembered as the show’s turning point. This season proves the show’s potential—when it prioritizes strategy and story over unnecessary drama, it truly shines. It's a significant improvement that makes me eager for what’s next.