Gokul Creator's

Selvaraghavan is a director who has made his film debut in films like Eeravan and Puthupethey and NGK is his next film. There was a great deal of hope that both of them would be able to see the truculence of Tamils when they got together. NGK is only an average picture that is misleading. Kumaran is an organic farmer who abandoned a higher job. For some reasons it is a compulsion to enter politics. But Kumaran is not as easy as political entrance. The film says that there are things going on. Surendranty is the only positive actress in the film. In the first part, the picture is just like a spoon picture. Little comedy, a little bit of sensima, for the first half to make some thrilling moments. But the second luck passes down like the jogging. Action scenes were excellent. The film's BGM was very good. The songs were limited to Aurangzeb. The development of the character, and the script In fact, the film will fail in the movie, so the film is sometimes experimented with the well-being of the audience. Performance of Sai Pallavi and Rahul Preeti Singh I felt like there was no trouble. Rahul's character was a bit of an idea. After the action of the action, all the songs that were recorded in the song were tired of the audience (I thought Selvaraghavan was the subject of Kumara Menon's plight). It seems to be just an image that is not perfect. See only those who are interested.

NGK

The culmination of Alfonso Cuarón’s career, Roma is perhaps the most unlikely movie to ever dominate a Best Picture line-up. It’s slow. It’s in black-and-white. It’s in a mixture of Spanish and Mixtec. It focuses on the life of a maid. Somehow it’s one of the best films of the year, an astonishing homage to the resilience of one woman played out against the backdrop of civil unrest. Using an Alexa 65mm camera, and taking on cinematographic duties himself, Cuarón explores the full possibility of the frame, putting his film heads and shoulders above the competition. Simply for its technical prowess alone — its depth of focus, its exquisite use of lighting and revolutionary sound mix — Roma should win Best Picture. There are obvious cinematic influences, among them the riotous nature of Fellini and the slow, searching camera of Angelopolous, but here he combines all his personal obsessions — motherhood, sex, heaven and earth, being simultaneously inside and outside politics — into a complete cinematic vision. The fact that it is no mere director’s showcase but also tells a deeply moving story of finding love despite all of the odds makes Roma a modern classic, fully deserving of its Fellini-evoking name.

Roma

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Kumbalangi Nights (2019) -Kumbalangi Nights is an Indian Malayalam-language film directed by Madhu C. Narayanan. Starring Shane Nigam, Soubin Shahir, Fahadh Faasil, Sreenath Bhasi & Mathew Thomas. The story of four brothers who live in a shed-like house in Kumbalangi. Saji & bobby were the losers among the four. The flow of their lifestyle changes when Bobby falls in love and Saji takes the responsibility of the family. "Raymond, a complete man" The mysterious Shammy creates a lot of tension and Fahadh Faasil makes you laugh nervously with that smile. Till date, this is the best performance from Soubin Shahir and his chemistry with Shane Nigam also helps to boost the story. The first half is dedicated to showing the equations of each character and called it as a character-driven process with a lot of humorous moments. The second half you need to feel that thing. Shyam Pushkaran's script shows the women as hope in the life of men. Ace cinematographer Shyju Khalid's visuals look real with the beautiful music sounds from Sushin Shyam. Overall, it's a simple movie that may or may not happen once in a blue moon. ഞാൻ നാളെ കാലത്തുള്ള ഷോ ആൾറെഡി ബുക്ക്‌ ചെയ്തു കഴിഞ്ഞു. രണ്ടു തവണയിൽ ഒതുങ്ങും എന്നും തോന്നുന്നില്ല.

Kumbalangi Nights

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