That's a brown btch. Not a snow white"Mirror, mirror, on the wall, who’s the dumbest of them all? Oh right, it’s whoever greenlit this steaming pile of cinematic garbage. Snow White (2025) is less a movie and more a 109-minute lobotomy delivered via Disney’s trademarked glitter cannon. Rachel Zegler’s Snow White flounces around like she’s auditioning for a community theater production of Les Misérables, while Gal Gadot’s Evil Queen hams it up so hard you’d think she’s trying to win an Oscar for Worst Overacting in a Trainwreck. The CGI dwarfs? They look like rejected Pixar rejects that got lost on their way to the uncanny valley and decided to haunt this film instead.The plot—if you can call it that—stumbles around like a drunk toddler, tripping over its own woke shoelaces while pretending it’s deep. Spoiler: it’s not. It’s shallower than a kiddie pool after a drought. The songs? Imagine nails on a chalkboard, but with worse choreography and lyrics that sound like they were written by a tone-deaf AI after a bad trip. I wanted to gouge my eyes out with a rusty spoon just to feel something other than soul-crushing boredom. Halfway through, I seriously considered faking a heart attack just to get escorted out of the theater—would’ve been a more entertaining story than this dreck.This isn’t a remake; it’s a corpse of the original, dug up, dressed in a cheap wig, and paraded around like Disney’s saying, ‘Look, we still got it!’ No, you don’t. You’ve got a $270 million dumpster fire that makes Mulan 2020 look like a masterpiece. If I could give it negative stars, I’d rate it a -10/10—just enough to reflect the brain cells I lost watching it. Do yourself a favor: skip this and go stare at a blank wall. At least then you can imagine something less painful, like your own funeral."