Shivam Yadav

The most striking aspect of KGF part one (2018) was its setting. At every opportunity, the camera pulled all the way back so that we could get a bird’s eye view of the massive gold mines of Kolar burrowed deep in the earth, and there, toiling away ceaselessly, millions of faceless men and women. Slaves really, yoked to their back-breaking work without pause, trodden under the iron boots of their cruel masters.

The film is devoid of the fun & fascinating qualities of its studio's finest works and neither its storytelling nor its ensemble compel us enough to give a damn ...