Syed Muhammad Amaar Pirzada Kashmiri

Akshay Kumar and Mohanlal worked on Manichitrathazhu and its Hindi adaptation Bhool Bhulaiyaa after the original 1992 film. Today, comedy-horror fantasies like Bhool Bhulaiyaa 2, Stree, and the upcoming Stree 2 are being made. However, Suryavanshi serves as solid proof that Salman Khan's film choices were ahead of their time. Back in the 1990s, he chose a unique romantic-horror-fantasy film like Suryavanshi. The film’s plot, screenplay, and background music evoke goosebumps similar to those experienced in Manichitrathazhu, Kantara, and Bhool Bhulaiyaa. It is genuinely an underrated masterpiece. If a sequel or reboot of this film were made today, it would undoubtedly become a superhit.

Bhool Bhulaiyaa 3 is a delightful comedy family entertainer that masterfully evokes nostalgia for classics like Hera Pheri, Welcome, and Golmaal. Anees Bazmee and Akash Kaushik has crafted a brilliant screenplay that captures the full attention of the audience from the opening scene to the film's conclusion. The performances by Kartik Aaryan, Rajpal Yadav, Sanjay Mishra, Vijay Raaz, and Ashwini Kaleskar are nothing short of exceptional, delivering comic timing that guarantees hearty laughter throughout. Vidya Balan, Madhuri Dixit, and Tripti Dimri also shine, with Madhuri's performance standing out as particularly impressive. The film is filled with suspense and intriguing twists, culminating in an exciting climax that keeps viewers on the edge of their seats. While the music overall is pleasant, only three songs Bhool Bhulaiyaa Title Track, Jaana, Samjhona, and Beirada are truly memorable. It would have been preferable to have Pritam compose the soundtrack instead of Tanishq, as Pritam’s style might have elevated the film even further. Nevertheless, Tanishq has contributed some good tracks, and the background score effectively enhances the suspenseful atmosphere of the film. Overall, Bhool Bhulaiyaa 3 is an enjoyable cinematic experience, and the inclusion of just one cameo from Akshay Kumar would have made it even more spectacular. I highly recommend watching this perfect family comedy in PVR cinemas; it is undoubtedly a film best enjoyed on the big screen. I loved it and eagerly await part four, along with more films from Anees Bazmee and Kartik Aaryan.

While "Madame Web" has garnered significant criticism, it is worth appreciating the unique aspects of its plot and screenplay, which set it apart from the typical Hollywood sci-fi, supernatural, fantasy, and superhero films that often rely heavily on CGI and action. "Madame Web" stands out for its thoughtful storytelling, which delves deeper into character development and emotional depth rather than merely relying on spectacle. The film's narrative, centered around Cassandra Webb (Dakota Johnson), is a compelling exploration of her origin story and her confrontation with her past. The screenplay, co-written by S.J. Clarkson, Claire Parker, Matt Sazama, and Burk Sharpless, offers a more nuanced approach to the superhero genre, focusing on the emotional journeys of its characters. The cast of "Madame Web" delivers outstanding performances, particularly the dynamic duo of Dakota Johnson and Sydney Sweeney. Johnson's portrayal of Cassandra Webb is both poignant and powerful, capturing the complexity of a character navigating her newfound psychic abilities. Sweeney, as Julia Carpenter, brings a compelling energy to her role, making her character a standout among the trio of future Spider-Women. Isabela Merced and Celeste O'Connor, who play the other two Spider-Women, also deliver solid performances that add depth to the narrative. Tahar Rahim's performance as Ezekiel Sims is equally impressive. His character's motivations, though criticized by some for being simplistic, add a layer of intrigue to the plot. His ability to see visions of the future and his relentless pursuit of the Spider-Women create a compelling antagonist that drives the story forward. Underappreciated by American Audiences Despite its merits, "Madame Web" has been met with a lukewarm reception from American audiences. It is puzzling to see such a well-crafted film, with its unique storytelling and strong performances, being overlooked. Perhaps the film's more subdued approach to the superhero genre, which prioritizes character development over action, did not resonate with viewers accustomed to more fast-paced, action-heavy films. In conclusion, "Madame Web" is a film that deserves more recognition for its thoughtful storytelling, strong performances, and refreshing take on the superhero genre. It is a shame that it has been underappreciated by American audiences, as it offers a compelling and emotionally resonant experience that sets it apart from the usual fare of Hollywood sci-fi and superhero films.