James Craven

For me, this movie didn’t hit or click with anything or anyone I know. I saw it just over 15 hrs ago, can remember a dang this about it. I’ve enjoyed watching Dakota Johnson on talk shows like Jimmy Kimmel and Jimmy Fallon, (this is why I chose to pay for this film) but for the life of me, I can’t remember any movie or tv show that she was in. I’m pretty sure she’s the daughter of Don Johnson but that’s about all I think I know about her. As for the film itself, there’s nothing cinematically I can recommend about it. The script says nothing. It’s just dead.

Strong performances throughout. Great visuals. I particularly liked the devil possessed doll, as gift, for evil to enter the home. The movie itself was long, but I didn’t mind that, because I appreciated the journey that it was taking me on. To be in a demonic possessed state of mind and viewing the world through that lens provides a portal that is not natural, so natural style acting and timing wasn’t called for.

Terrific! James McAvoy is off the chain crazy, creepy and cruel; not missing one beat. As this fine actor has aged, his artistic instincts and focus has only deepened, in my opinion. Mackenzie Davis was kind of a revelation to me, in that her character had the most interesting qualities and levels going on; and I only knew her from one of the Terminator movies. I, along with many other vocal audience members, wanted to strangle the weakling character, played by Scoot McNairy. Scoot did good portrayaling him. Alix West and Dan Hough, as the children, were both heartbreaking. I don’t know if it was intentional, but I saw Dan looking directly into the camera a couple times, and, it kinda creeped me out, because his character was so wounded and I didn’t want to see him that deep. I hadn’t seen Aisling Franciosi before, but I will look for her in future films; as I will, director James Watkins, who paced this horror/thriller to its most effective stage.

The best blend of surrealism, steam punk and the study of societal dynamics, of the expectations placed on a modern woman.

JP doesn’t follow the expected path. This movie unspools slower and more disjointed, than Get Out and US, but I stayed with it and enjoyed the trip and artistry.

This Candyman is an artistic gem of a movie. The understanding of the art world denizens alone, makes this a special event. Horror story, revenge fantasy and social commentary, abound; to me, it’s Monkey Paw’s best one yet.

Far better than any of the 2020 Golden Globe nominees, in every category.