Muhammad Syafiq Bin Mohamad Salleh

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falls disappointingly short of its predecessor. Instead of building on the intricate character study that captivated audiences, this sequel leans heavily into absurdity without any real depth. The plot feels disjointed and meandering, trading emotional resonance for chaotic scenes that lack purpose. While the performances remain strong, they’re overshadowed by a convoluted script that seems more interested in shock value than storytelling. The once-compelling exploration of mental health becomes muddled in a sea of over-the-top theatrics. What could have been a nuanced follow-up instead feels like a desperate cash grab, leaving fans of the original feeling let down and confused.