greta goss

Initially it seemed to imitate the entertaining bromance from "Manchester." Within a few episodes it developed legs and blossomed on its own merit. The new female office who has smart, detailed rebuttals to the condescending remarks of every patronizing male left in her wake is a welcome addition.

Set in a familiar future, this engaging, absorbing yarn is about a geriatric cat burgular scoring his last heist with an unexpected partner.

Absorbing film containing interesting performances with the exception of Catherine Keener who continues to play the same performance in every film. Yet another movie that has me mourning the loss of Philip Seymour Hoffman.

The rare movie that won the academy award for best picture (1969) and still deserves it for story, acting, direction, soundtrack, editing ... the works.

Atmospheric, unexpected, great casting, acting, soundtrack, and a visual delight! Like "Married To The Mob" a total winner.

Astaire's character is based on Vogue photographer Richard Avedon, who designed the artistic opening credits - the one thing in this 1957 musical mess worth saving. Audrey Hepburn can neither talk nor sing her way through a song, even destroying Gershwin tunes. Kay Thompson is a hosed down version of Vogue editor Diana Vreeland. 58 year old Astaire can dance, but it's painful to watch him peck a kiss on 28 year old Hepburn. Astaire's pale socks contrasting his darker slacks are as much his signature as the neck ties he wore for belts. But Hepburn's white socks under black capris in the bohemian dance sequence don't echo the bare ankle attitude of the beatnicks she's supposed to represent. Ditto Donan's dated "Bonjour Paris" location sequence are dated nods to his 1940's "On the Town;" especially when compared to similar sequences in Minnelli's "Gigi" - only a year later yet decades more contemporary. For superior fun watch the also incredible pairing of Astaire and Leslie Caron in 1955's "Daddy Long Legs" for its pleasure, not pain as Caron's talent out acts, out dances, out sings and ultimately out charms Hepburn by a mile.

Reese Witherspoon's first film performance is a wonderful sign of things to come. A great coming of age movie for all ages.

Well cast, acted, directed and paced this thriller beats all others because it's based on fact.

Treat Williams is good as a Vietnam vet turned congressman but to be accurate, at his youngest this character must be in his early 60's. His romantic counterpart? A very willing forty three year old divorcee in Maine twenty years younger. The credibility continues to get strained as the movie soldiers on to a predictable ending.