Rene Maldonado

Loved it. Whole movie is shot in first-person from the perspective of the ghost (the “presence”). A rather unique and refreshing cinematic approach, shot very well with steady-cam. It is also a very good dramatic story with a couple of interesting subplots that are, unfortunately, not explored in any depth (i.e. the husband’s call asking for advice on something illegal going on and the implications for the spouse, the exact circumstances of the friend’s (now ghost) death, the painters’ chat).