Mridul Bihani

"Animal," directed by Sandeep Reddy Vanga and featuring Anil Kapoor and Ranbir Kapoor in pivotal roles, unfolds a gripping narrative that delves into the complex dynamics of a father-son relationship. This 3-hour and 21-minute cinematic journey is an exploration of transformation and vengeance, marked by an undercurrent of violence, as affirmed by Vanga's promise to redefine its meaning on screen. This film is poised to be this year's most divisive cinematic offering. It's a piece tailored for audiences with a penchant for intense narratives, while those sensitive to explicit content might find it overwhelming. Central to the film is Ranbir Kapoor's stellar performance, a testament to his artistic versatility. He embodies the titular 'Animal' with such fervor that his scenes with Anil Kapoor resonate with palpable tension and emotional depth. Anil Kapoor, portraying the archetypal busy father, delivers a performance that is both effortless and profound, further cementing his status as an acting luminary. Rashmika Mandanna, despite facing criticism for her delivery, demonstrates remarkable prowess in scenes laden with sensitive dialogues, validating her casting choice. A standout aspect of the film is its depiction of Punjabi culture through the Tabbar family. Their presence on screen is not just authentic but also emotionally stirring. Bobby Deol, though his screen time is limited, leaves a lasting impact with his commanding presence, leaving audiences wanting more. The film, however, does not entirely escape critique. It seems to waver under the weight of its own ambition, marrying Bollywood tropes with a narrative steeped in toxicity, sex, and violence, albeit elevated by modern background music and impressive cinematography. The storytelling is engaging, with unexpected twists, yet the second half suffers from pacing issues, stretching certain plotlines while neglecting others. Tripti Dimri's character, in particular, appears underdeveloped and her storyline consumes more screen time than necessary. Musically, the film is a triumph. The melodies intertwine seamlessly with the narrative, and the background score, especially accompanying Bobby Deol's scenes, strikes a nostalgic chord. However, the underuse of B Praak’s "Saari Duniyaa Jala Denge" feels like a missed opportunity, especially considering its potential impact. The editing is commendable, particularly in the first half, with smooth transitions and a pre-interval action sequence that sets a new benchmark for Hindi cinema. Yet, the film could have benefited from a tighter edit in its latter half to maintain momentum and focus. Despite its flaws, "Animal" is a cinematic experience not to be missed. It's a bold portrayal of toxic relationships and violence, presented with raw intensity and honesty. Sandeep Reddy Vanga's execution is commendable, and with the anticipation of a sequel, there's hope that it will continue to embody this brutal honesty in storytelling.