The Irishman
The Irishman should have had a theatre release, if not for anything else, for its lyrical photography which is cool and easy on the eye. Martin Scorsese deserves all the credit for the camera movement. It doesn't seem like a film, but a scrutiny of reality right through our wide angle window in our drawing room.
Though a very great talent wasted away in many films, I consider Al Pacino a much better actor than Robert de Nero. As if to prove me wrong, de Nero gives a stellar performance. The script seems to have been written for him. He deserves the top billing.
Pacino might have done all his research on Jimmy Hoffa, and has portrayed a new rendition of a character, not essayed by him earlier. He comes up with a new voice for Hoffa, watching the existing footages. Since all the characters are real and the story is known, the script follows a definite line.
Joe Pesci also comes up with a great performance. The film in totality depicts a particular phase in American history which is palpable.