Kenneth Ramonet

Far too many sub plots. Almost no backstory provided for viewers who were left to stitch together what was going on. The final minutes were a montage of what was presumably previews of the upcoming sequel. It seemed as though all the story lines were going to eventually converge on a town called Horizon, but that is just a guess.

Love this show! Keep it coming. Doing some real good while making money is its secret to success.

He's unfunny and appeals to a mean-spirited, all too common in the US segment of American white people who are fundamentally racist.

A feast for the eyes, on many levels. I found the impromptu dance on the street (among a group of casually and carelessly stacked chairs) to be surprisingly sexually charged; easily the best scene in a movie embarrassingly crammed with an oversupply of joy, humor and subtlety, all improbably overlayed with a confectioner's touch. I cannot recommend this film enough, especially during an unending pandemic.

Horrible script. Strange (intentional?) mixture of old and new tech, which completely distracts viewers from following the story. For example, why not just use a smartphone to do 90% of the tech tasks in this movie? And why the strange "Men in Black" and "Big Bang Theory" rip-offs? Also, several cheezy cyborgs chasing protagonists on motorcycles, highly improbable movements from one end of the continent to the other in a slow prop plane, clumsy romantic interest storyline, even the most laughable location establishing device ever included in a movie (festively painted cow cart emblazoned "Costa Rica". Sorry, this one's a real stinker. Nice music track, though...