Ananya Paul

Dracula Sir is a beautiful amalgamation of metaphors, destiny and fate. The story couldn't fathom much awe, could have been better from the writers but the direction stands out as the king. These are the experiments which bring in forth a plethora of newness in the media plate. *Anirban* deserves everything but all. He is the start, he is the plot and he is the end.❤️❤️✅

The movie is like a dream, a wish, and an idea. Thanks to the Tamil industry for producing this wonder

An absolute masterpiece! How well did Rituporno Ghosh use the weather to dictate the change in human emotions---> Fog gets followed by sunshine narrating how we overcome our pains, finally come out of it, and learn to smile. Loved the storytelling; sheer masterpiece

Maitreyi Ramakrishnan is a revelation and so are the other actors; Poorna(Devi'mother on screen) delivers her expertise and the series has a lot to deliver in terms of its subject and issues. The first season portrayed the very stereotypes of the Indian community ranging from wealthy gossip aunties to hysterical parents and vegetarians. Well, with the extent of reach, and the subjects going on around; I think the show should tone up from its casual tone, take a notch higher, dismiss the stereotypical problems and deal with some actual bricks lying on the lane... Hope season 2 betters the pilot season

Clueless paradigms, featureless acting can well ruin a plot having so many elements to touch upon. There is no character establishment, no emotional intelligence and Imitiaz Sir failed to revive the magic of Love Aaj Kal(2009) which was everything but a sweet story at its core. The music fails to punch the right chords, and the movie falls down against every expectation . Wanted to watch it for Sara Ali Khan, her acting was terrible and Kartik fails to get out of that nutshell

"Do not talk about the Fight Club" - an absolute thriller

Not to sound very rude as the Netflix original is based on a very sensitive issue, the film has a very realisitic approach in the treatment of its characters, scene development but the screenplay and the way it is directed falls very short on the subject it is dealing with... Kiara Advani delivers at her level and the other actors do so as well but halfway down the movie, it just becomes predictable and a tad bit to carry on. You can definitely watch it for the technicalities but the direction never really stands up to the point which was expected out of it In an era of rich films, the growin period of script-oriented subject with strong sense of screenplay; I think the movie makes no ground of being called 'good'

What matters is the *happiness* , thank you Aisha!

In the experimental era of Bengali films, this one contributes largely in terms of Visual Effects and the narration style. The film could have been edited in some parts and the story could have been kept short. Nonetheless as someone who truly loves to watch Bengali films, I would love to see more experimental works - Sayantan Ghoshal, carry it forward❤️