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A stupendously woven platform created by Vineeth for his brother Dhyaan to naturally shine on thru his effortless and heart rendering performance And for the adorable, cute, handsome and brilliant actor Nivin! This act made the audience miss him for his odd 7 to 8 year absence, all in that 30 mins of screen time! Nivin u deserve all the adulation for having proven again, how a man could single handedly make a 100% marvelously directed movie, a 200% blockbuster. What a well deserved comeback! Hope the Malayalam film industry does not lose him again! Dhyaan S, left no facets of acting unturned! Added a star or two, to the already amazing family of stalwarts Sreenivasan and Vineeth. Pranav has put in his 100%. But it still needs a lil polishing, which will surely flow in all his future ventures. So VS was a wonderful, collective hardwork of many sincere people involved in cinema making! Way to go!!

A must watch movie for all who appreciate realism, brilliant direction, mindblowing cinematography and above all heart and mind breaking acting! Prithviraj so methodically brought out the struggle of the real Najeeb, that by the end of the film the audience are in awe of his stupendous acting and parallely heart broken over the painful journey Najeeb had to take to attain his freedom! Prithviraj served a double googly by standing tall as a true hero and bringing forth a true hero named Najeeb whose sheer grit should be incorporated in schools to teach childrensurvival instincts and stories of resilience. Bollywood should take a lesson or two in direction, to understand that true stories are meant to make heroes living in oblivion known to the society thru their cinema, and NOT make the hero enacting the story, outshine the real hero. Like they did in Neerja, Mrs. Chatterjee and the likes..Anyways Malayalam film industry has proved themselves once again. Aadujeevitham was a brave venture, and was mind numbing to experience the pain it brought across!

Its started well with quaint locales of Himachal. The cover of 'Phir vahi Shaam hai' sounded and was picturised well.Manav Kaul, Divya dutta & Niharika were good. Neena Gupta was under utilised.Having said the above, its time Indian cinema stops emphasising on low baritoned voices, long pauses in dialogues and wanton looks, to portray an above 40-ish woman who feels love or expresses physical desires.Cant she just be normal?? Amrita Bagchi could nod a little more so as to confuse the audience a little less whether she means saying a YES or a NO.Subtelty cant be at the expense of clarity. Direction was weak. What did the director want to convey? Guilt? Love? Pangs?Sacrifice? But in the story towards the end the bollywood famous singer admits that, she only returns to see her lover. Then why wouldn't she stay or why wouldn't she agree that her lover join her to Mumbai? They could have still tried.They were free and in love, right? Or did the director feel leaving it to end this way made his movie "different"? It could have been made better, with a stronger storyline and still a subtle portrayal of emotions and characters.