Thomas P. P.

Chaver is a film that is misunderstood — in several cases, by their own makers, which is part of what led to its public dismissal — or that never had the chance to be misunderstood because it was barely seen due to vagaries of timing and marketing. While Chaver doesn’t necessarily represent the directors’ best work (though in a handful of cases, they do), they’re all better than their reputations and filled with pleasures characteristic of the filmmakers’ oeuvres. And Chaver, the director did no favors by publicly expressing their own dissatisfaction with the work — when John Cassavetes trashed “Big Trouble” it more or less shut down any debate about the movie, since if its own maker didn’t like it, who would? Well, maybe a lot of people if they actually gave it a chance. Here we present that film Chaver. Therein lies the issue at the heart of this gallery: too often movies by iconic directors carry the baggage of what came before and can’t be judged on their own merits in their own time. Maybe devotees aren’t in the mood for a director to try something different. Maybe they simply weren’t able to get to the theater fast enough to see the movie before it closed due to bad luck and bad marketing.

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"the most celebrated of the method actors, and his slurred, mumbling delivery marked his rejection of classical dramatic training. His true and passionate performances proved him one of the greatest actors of his generation." It also notes the apparent paradox of his talent: "He is regarded as the most influential actor of his generation, yet his open disdain for the acting profession ... often manifested itself in the form of questionable choices and uninspired performances. Nevertheless, he remains a riveting screen presence with a vast emotional range and an endless array of compulsively watchable idiosyncrasies."

—the stunning actor who embodied a poetry of anxiety that touched the deepest dynamics of his time and place. —🔋

'Kayamkulam Kochunni' has proven to us the much appreciated calibre of Nivin Pauly. He has not resorted to the conventional methods of body building but instead focused on the improvement of his body language, especially his eye movements. His voice acquires massive modulation in the second half of the movie which adds more effect to the transformation that Kochunni has undergone as an individual. The massive blows of betrayal that he had to face from all characters he had interacted with does not lower his spirits which helped him to regain the physical and mental support of all his loved ones. Mohanlal has added a mesmerising effect as Kochunni's mentor 'ITHIKKARA PAKKI'. He led the way for a grand opening to Nivin as well as the movie. Nivin has lit a fire to the future of period films especially as there is a scope for the swaying bay of a great sequel: 'ITHIKKARA PAKKI'.

A film with depth into which we will sink into.