Brendan Smith

Don't believe the hype. This is another middle of the road outing in a multiverse than becomes less interesting the more it gets explored. Boring villains with an ambiguous goal, cameos instead of plot and the constant winks and nods at the camera become tiresome, even by Deadpool standards.

This movie feels like it was filmed in a shoe box with social Distancing in full force. The budget constraints of a Netflix feature are hidden in plain site. Tiny sets, cramped cinematography and scarce interaction between the main characters shows that big screen ideas can't be replicated on personal devices. The leads feature in almost no screen time together and as such the film's narrative falls at the feat of Enola who is left with nobody to talk to but the audience. It becomes tiresome having to be the sounding board for a character that deserved a better on screen foil than a grumpy Henry Cavill and a boy who in a movie about how women can change the world, ends up changing the world. File this one under most ok-est movie of 2020.