Melvin Hardy

The film "Pictures from A Hiroshima Schoolyard" owes much to many in its fundament (Reverend A. Powell Davies, 1945), in its catalysis (Reverend Robert Hardies, 2002), in its logistics (The Hiroshima Children's Drawings Committee, Robert Freeman, 2006), and by the film production team (Brian Reichhardt, Shizumi Shigeto Manale, and Matthew Mazza). Distinction is accorded to the "Pictures" in that they represent foundational hope, expressed through the artistry and aspirations of children. They are admonition to all humans in the realty of an atomic age, documenting that curious mix of evil intention and desires for ending a terrible war. The combination of All Souls Church, as custodians of the "Drawings" and the "Picture" film team as visual story-tellers, provide a gift to the world, messaging that the atrocities borne of the dropping of atomic weapons on humans, should never be practiced again.

How can I get a copy of the video segment "The Argument Over Social Justice"? This was amongst the most important conversations, delivered in the primacy of civility, with implications to our requisite, national, self-imposed, and mandated quest for a deeper understanding of our nation's superiorly complicated history, that has here-to-fore defied social mobility for all in our political-economy, giving rise to a current economy (equally complicated) that is increasingly stratified at the expense of many Americans in their aspirations to find their better and higher selves...and looks to a future that might have our nation consider that "expanded GDP" so necessary for pathing to better social cohesion in our nation. I will check back to the Morning Joe - MSNBC website to see if the link to this segment is available for the loyal viewership to see, and perhaps use in "The Woke Era". Mel Hardy