Spoiler alert!! Watching Elevation will completely spoil your evening.
It was like being trapped in an escape room where the only clue is a blank sheet of paper and the timer resets every time you think something interesting might happen.
It’s slow, it’s predictable, and at one point we are meant to assume god makes robot bugs. No, really. That’s the big twist. If you were expecting something deep, profound, or even mildly surprising— congratulations, you’ve been scammed.
The music was its own special kind of punishment. Most of the film was filled with generic “chase and be chased” sounds—like someone gave an AI a playlist labeled mild tension and told it to go nuts. But the true highlight? The ending. After almost two hours of nothing, we see three lights in the sky (oOo mysterious), and then—BAM! One second of the worst brass music ever recorded. It came out of nowhere, like a rogue trombone player had been waiting the whole film just to absolutely ruin the moment. Then, as if realising their mistake, the soundtrack immediately panicked and switched back to tense horror music. It was like someone accidentally sat on the orchestra’s keyboard and then tried to play it cool.
In the end, the only real tension I felt was checking the runtime and seeing 35 minutes left. I’d have rather spent that time listening to a malfunctioning smoke alarm.
Final rating: ⭐☆☆☆☆ (One star, purely for that one second of brass chaos. I respect the audacity.)