Rufus .A – Google

Holy shitamole this book is one of my fondest memories. This series is really a testament to the author that kids can understand a lot more than we give them credit for. I recieved this book for christmas as the first one I read, despite it being the 10th in the series. Just in case you didn't know, this story made for CHILDREN sublminally captures concepts of human slavery, forcing your own dreams on your children, the mourning that comes after loss and how the responsibilities and dreams of the dead are carried on by the living. It has been about 8 years since Ive read this book and yet I continue to think about it. The artistic style of the illustrations that accompany the incredible writing really shows its maturity in this entry, and i would recommend it and the series as a whole for anyone who wishes a sophisticated education for their child. Thankyou Cresseda, because no matter how they chose to adapt your books, they will never capture these raw themes untouched by coporate greed and marketability.

A bold risk in videogame development, but one so clearly coordinated under a single artistic vision that it never leaves its gameplay execution at the wayside. While Ocarina of Time is a fantastic game, and one that holds special nostalgia for me as my first zelda experience, but Majora's Mask strikes me as the darker story they needed to prove as a concept in OaT to create. No idea how Assasins creed is ablet to produce worse time-scheduled trailing missions almost 20 years later, but this truly does NPC's the best of any game I've played. Like Ocarina of time, you press through a darker mature atmosphere to try and save the sparse flickers of light you find scatterd across this world on the precipice of destruction, the player embodying the courage of a hero. The aristic direction of new and reused assets - especially the masks and world - is refreshing and unique to this day. A must-play.

This film is the ultimate lesson on art exploitation and the ruminations of capitalism on popular culture expressed through a witty, satirical lens that only Banksy could provide. New York is the 'midwife' to Graffiti culture, so naturally, it makes for the perfect setting - and audience - to the political, social, and artistic commentary of the famous stencil artist's work. From a foreign perspective, I was fascinated by the city's unique street culture and watched with intrigue at the kaleidoscope of reactions that his work provoked up until that final entry. With fantastic editing and sound design bringing together a multiplicity of news clips and social media videos, alongside some eye-opening interviews with individuals connected to the works, it is a documentary that motivates creative endeavor, asks us to challenge our perspectives, and teaches us that our ideas are better out than in.