Roger Costa

Shyamalan gets under the skin with this creepy, entertaining yet ludicrous serial killer tale. It's curious how he depicts a generation of teens using a mystery as a backdrop but the development is utterly incoherent and non-sense. It's corny and fun.

Very funny and unexpected entertaining.

Well acted, boring, utterly profane and structured as a play. I had no patience despite the actors' efforts, and I despise every Boseman's lines related to God. A great misfire, if this is the best Actor of 2020, please excuse my ignorance.

A remarkably crafted and precise life-spanning epic on the iconic musician, this endearing drama comes right on time to commemorate the 250th Anniversary of his birth. Writer-Director Niki Stein amusingly chronicles his life in an accessible, universal approach depicting his journey from a prodigious child who defies his conservative instructor with his personal and rebellious musical-techniques to his young days as a handsome student venturing Vienna and mingling with Mozart and other geniuses alike, and from his early signs of deaf to the difficulties of aging with financial and emotional instability. In an elegant atmosphere, luminously shot and fast paced editing, the film maintains it thrilling and interesting as seen through the nostalgic memories of Beethoven, reflecting on his childhood, his fondness for his persistent, influential father, and other family members, the lessons and angles acquired through his mentors and friends, and his forbidden romance to a member of the elite. Impeccably designed and performed by a fantastic ensemble cast, it is probably the best, most elegant and modernized Beethoven’s adaptation ever made for the screen. (Film Movement. 12/16. In Virtual Cinemas.)

What a waste of a talented director, and some good actors. It's so poorly crafted, rehearsed and executed I just can't believe the high cost of budget- 23 million. All scenes are laughable, I think this is worse and much More presumptuous than those ridiculous Netflix original comedies.

Erotic, efficient and provocative but exploitive and stereotypical. A shy teen becomes influenced by her nymph cousin as she comes to spend Summer at her Cannes beach home. Gorgeous to look at, and delivering coherent observation on sexual awakening and a lover's age taboo. But as one concerned character expresses, mostly it looks older with its unnecessary plasticity.

I was so excited to see the latest Tom Hardy's acting effort, but I ended up disappointed by the way he's totally wasted in a vaguely accurate, unenthusiastic narrative. The direction is loose, though there's the sumptuous cinematography and detailed editing. Lousy and unfocused, Hardy is really the only thing worth in it.

An intense and intriguing Love story set in two ambiences and shot with elegant mystery. Alicia Vikander and James McAvoy deliver charming and strong performances. Wim Wenders directs the material with loose control, focused on the design but failing in narrative coherence. Yet he infuses an attractive sense of dreamlike, and finds the right tools for the secondary actors. Strange and interesting.

Suspenseful one man show, with an impressively convincing performance by Levitt. The sound effects, tense dialogue and stylish one-set design precisely capture the nerve wracking, intensely violent hijacking plot. Small, low budget production, utterly satisfying.

Intense, marvelously crafted as a Picasso painting.