A lot of five-star reviews for some reason. Well, considering that very few people know Joseph Bologne's history, it is not surprising that many audience members come into this blindsided.
This review is for the skeptics, historians, music geeks, and students who have learned about this black composer.
This movie needs to be taken with a grain of salt. There is always this fine line between being sentimentalists where directors create drama for the sake of drama, but run the risk of not being factually accurate and unintentionally creating negative stereotypes on that historical figure. There is always the risk of being realistic and detailed about the events happening in the historical figure's life, but running the risk of being dull and pragmatic. So where does the balance lie in this movie Chevalier?
Pros to this movie
- The music is really good. It not only matches the time period of the 18th century, but it does well in matching the style of this composer.
- The actor's performance of Joseph is done well. Mainly because I enjoy the historical figure's arc from being a haughty playboy of sorts to being a pained artist who realizes what the purpose of his gift needs to be as well as accepting his heritage.
- I love that the wig is a symbol of Joseph. To me, it can be viewed as a mask to which the composer is masquerading as the high-class aristocrat who made it in society because of his charm, wit, and talent. But after his mother braids his hair into cornrows and he leaves the wig behind, it is an indication that Joseph has transformed. He is no longer worried about his identity in the eyes of high society and no longer sees a reason to hide his blackness.
Cons
- I felt like the romance between Marie - Josephine and Joseph was a distraction to the film. Whether it happens or not, who knows? But it unintentionally reinforces the harmful stereotypes that black man can't keep their hands on married white women and also the fact that he stated that he wanted to work with Marie, as the lead opera singer, in a professional manner. Not only does the film objectifies him in a sexual way, but dubs him a hypocrite.
- The racism feels too soft-spoken. Maybe this is coming from the perspective of an American, but if a black man is fooling around with a woman like Marie, he would have been lynched. It doesn't necessarily portray much of the physical violence of racism that black people have to endure. While we see Joseph's mother reminding him of his culture, the transition from the composer's shrewdness towards his heritage to suddenly being open about it was not a smooth transition.
- A lot of missed opportunities of events surrounding Jospeh's life. In fact, it felt as if the movie ended too soon. I would love to see more engagement in Joseph's part in the French Revolution, especially since he joined the first black regiment afterward. As a sense of catharsis, I would love to see some after footage of Marie trying to escape France, only to be captured by her subjects and dragged back to France. And yes, that actually happened.
Overall, I give this film a 3.5 out of 5 stars. The film has good intentions, and there are elements in the film I liked. Ultimately, I felt that the voice of this amazing composer was disenfranchised and warped.