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“Henson and Bent gave a great emotional feel of love, hate but then, when a deep breath is taken in, the feeling goes right into the nerves and a new drama happens.” Synopsis: Taraji Penda Henson Stars as Melinda Gayle who fell deeply in love with Robert (Lyriq Bent); way back When Robert was 15, he and his gang robbed a grocery Store, that got him two years in prison. Robert past criminal record worked against his chances of getting employed after he had graduated from College, but Melinda showed blind love for him, believing things will change for the better and went as far as mortgaging a gift her mother left her---a family building for Robert’s sake. Hoping with the proceeds, things would turn around for good, but when the results start coming in, it turns for the worse, being so fed up with the marriage, she filed for divorce. Her tortuous marriage to Robert finally came to an end. But then, the unexpected happened---Melinda blamed her sisters for divorcing Robert; his long time coming battery invention came off and then in an amazing but strange sway Robert tried correcting the wrongs and heart aches he had put Melinda through, only that was the beginning of bigger troubles to come against him. Review: You are in for a long bumpy emotional ride of love and hate. Tyler Perry has pulled a string that will get movie watchers stuck on their seats with rapt anticipation, wondering what will happen next before getting to the end of 153 minutes. The casts, perfectly fit into the tone and mood of the movie and when the scenes reels one at a time, the soft tuneful songs that played on the background, gives the impulse of how it feels by the casts in that spot of action. Falling in love was the easiest part for Melinda (Henson), but when the disappointments won’t stop, it drives her up the wall; the tears in her eyes and her family presence were the moment that kept her fixed only for a while. Acrimony reveals the positive and negative sides of love, which reflects love and hate. Its dialogue runs deep through emotional swings and outburst, which sometimes takes the actionable moment of heated argument resulting in pummeling, destroying and smashing down home items. Tyler Perry’s had put together a synchronized casts in orchestrating a difficult movie scene that they did in an unusual amazing way. Penda was perfectly in tune with her very depressed character; Robert (Bent) and Melinda (Henson) were suppose to be together till the end of their lives, but when it became clear to Henson that Robert will amount to nothing, being on Pins and needles, she filed for a divorce and the married came to an abrupt end. Melinda moved in to live with her elder sister, while having post traumatic stress disorder and a bolt of limerence. For Robert, he was back to squalor and penury. The scenes were sequentially linear, coming one after the other and easy to understand; in that spot of acting action moment, Henson and Bent gave a great emotional feel of love, hate but then, when a deep breath is taken in, the feeling goes right into the nerves and a new drama happens. At 153 minutes of acting runtime, the movie scenes were quite engaging and straight to the next. However, the sequence of the scenes portrayed Henson an oddball, in a bizarre twist she wants to have Robert (Bent) all to herself once more and whatever comes in between them, pose a threat. Thus, bringing the thriller to unexpected and over stretched end, which deepened the sad mood of the Psychological Thriller movie much more than it should. I don’t want to ruin the surprise for you, Acrimony is a remarkable movie, which is mind absorbing, intriguing and keeps the imagination open. Comm

Happily Ever After (2018 Movie) Getting married and having kids is what Violet (Sanaa Lathan) sees in her front view with Clint (Ricky Whittle) as her husband to be, but he is unsettled with her persona and sees a different view of him getting married, is marrying someone who is fallible and not so near perfect, so Violet is far from that picture Clint wants to have. The Movie presents intriguing shuts that are romantic, dramatic and highly charged moments. The mood and tone of Happily Ever After is a rhythmic flow and show of human emotional impulse in love situation. Violet is consistently in tune with her dual synchronized moods---the first eagerly wants to get married at one end and the other was disappointed, because the engagement ring didn’t get into her third finger of her left hand. Her mood switch from a happy lady to an absorbing sponge of pain came alive when Clint did not meet her marriage expectation. Haifaa al-Mansour tactful selection of casts at character switch, zero in how believable the plots are presented and when little Zoe (Daria Johns) shows up in Happily Ever After, the movie takes on an interesting dialogue, she is one character that got Violet up and talking vehemently at Will’s saloon, for Whitfield, Zoe makes her very unsettled and worried at Violet’s engagement party with no presence of parental guidance. Zoe is the mirror which Violet sees and reflects her past as a growing up child with strict rules to follow, thus the plots were dramatically believable to the end. The cameras were up and close, showing every scene at its best shut, but by the end of 133 minutes, one would have finished 2 paper bags of pop corn without knowing and with one question in mind, did any one actually got married? Once again watching of "Happily Ever After" keeps the imagination open in 2019.