Rahul Agarwal

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This show is just a mode of reaching to a bigger audience with a propaganda of anti Hindu and anti-Modi which is based on a nobel written by Prayag Akbar son of M J Akbar who is himself covered in mud with charges of sexual harassment allegations by various womans. Talking about excitement and on the edge of seat moments there's hardly any of them. The series is not so engaging and is predictable in most part of its storytelling which makes it really boring to watch. The concept used to show Indian slums in 2047 is copied from English movies (which are far far better than Leila) This web series shows India in 2047 as Aryabarta (an ancient India name) and the suffering of other religions and lower caste people in the hands of Hindus. This reminded me of the current condition of Hindus/other religions in Pakistan and other Muslim countries why wait for 2047. People are killed live in the name of Jihad. Muslim countries are already facing war, poverty, hunger, water crisis (example Syria, Egypt, Pakistan, African countries) not the Aryabarta. But the writer is more concerned of future we will face not the present the world is facing. There has already been many places where people other than Muslims are not allowed like shown in Leila. There a scene where Taj Mahal is demolished to give the propaganda a true religious colour. But let me remind you of all that demolished uncountable temples way back when Mughals invaded India. No Hindu ever went to someone else home country to demolish any place of worship. Even Jews of Jerusalem has faced the same fate in the hands of Muslims. I wondered whether the writer just interchanged the religion keeping the current situation and future of India in mind which will soon witness a Gazwa-e-hind. India... Oh sorry Aryabarta was one of happiest, wealthiest and safest place on earth to live on before Islamic invaders and then Britishers came and looted India of its wealth and culture. After they have gone the so called seculars and liberandus in combination with a religion synonymous with terrorism have inherited the legacy to keep on looting India and brainwashing youths to fulfill their propaganda.

Wow.. What a movie... This days it is very hard to have a movie like Red Notice which is complete in every aspect and department...Talking about direction it is top notch.. For action you won't be able to take your eyes off screen..and for remaining Gal Gadot will make sure you don't go anywhere in between. A very good action packed movie and with a decent storyline and a full on family entertainer. I generally don't write reviews but for this I could not hold myself back from writing one.

Simply Amazing.... An unexplored concept in Indian cinema with a thriller angle... Movie is a perfect dish served not too hot not too cold but just at the right temperature. It has a perfect blend of humor mixed with guess who did it thriller flavor. It hit right at the center of it social message about how religious beliefs and practices can be exploited by educated and sophisticated criminal and turned into a business where crime would be untraceable and impossible to resolve (the most scary thing I came to know of after watching the movie). It also focuses on how certain government (railway) policies and jurisdictional police set up has helped criminals in executing the crime fearlessly with almost very low probability of being busted out. At 2 hours 28 mins running this is a big film but once you start watching the story and performance especially of Naveen will keep you gripped for every single minute. Watch the movie in a single sitting as you may loose the plot otherwise as it is full of roller-coaster ride.

The movie lacks the constant fast screenplay expected in most of the thriller genre in modern days. The movie has some flaws in the story like the killer in mask in first scene was never explained in the movie. It though have some good moments but it fall flat in face of story telling which focus mainly on two characters i.e. the head and a newly recruited police personnel. This favouritism makes the movie predictable in many parts block the development from an edge of the seat experience and does not let the movie take off to new high. The three friends included in the series of events to make things interesting and complicated could not hold on to the suspense for much longer. The crime incident were recreated one from the viewpoint of investigating officer and second the original incidents that took place which was quite impressive, but most of the running time was ruined into unnecessary travelling details of police officers in their car, where not much of an impactful conversation took place. The second most important character Gautam became so obsessed with the case that he killed the officer after knowing the truth even when he knew that deads were rapist of officer's son's girlfriend and it was in self defense, felt like an forcefully imposed thought process on viewers and did not went well down my throat of acceptance. Depending on viewers taste many may find this to be a great one and yes it is worth a one time watch but for me being fond of watching Hollywood thrillers and some good south Indian movies like Kavaludaari, Ratsasan, Agent Sai Srinivasa Athreya and Hit does not feel like the movie to be thrilling enough to keep me glued to it all through.

The movie is too slow for a horror movie genre. The movie does not have too much of talking so we have to run our brains to understand the Directors point of view. For viewers who loved Evil Dead (2013), Insidious, Conjuring, Paranormal Activity and similar kind of movies will not find much solace and chills in watching this movie. The expressions on Toni Collette's face was more scary than the full movie itself. I personally believe that it is an overhyped movie and will not be able to attract all type of viewers. I was just waiting for the movie to end after watching it for about an hour waiting for something spectacular to happen. The end is somewhat confusing with a lot questions left unanswered and forced into to justify the title of the film.