Navaneeth Rajan

The film is a courageous outcome of the determination and dedication the cast and crew imbibed in its making. The film is imbued with the depressing elements of life depicted as a draining tragedy. Towards the end and certainly after it one could find it tiring to carry the heaviness the film put forth. Nivin Pauly remains surreal in the film and Akbar stands out from the cliche performances the actor was lingering towards in the past. The work from Geetu Mohandas and her crew depicts their courage and strong grip in the art.

A less compelling narrative, more of a poetically romantic tragedy ...all the more a love more magically realistic...Ironically felt good with the movie...The love bound by camaraderie , the intimacy materialistically unbounded. the bond metaphysically intertwined , even though portraying a classic cliche , the love pain staking and immersive Loved it🖤

Lucifer is a humungous bringing back effort with references to the past legacy of the characters which could never rest in oblivion but had retired from the big screen that thence seemed irrevocable.Stephè achayan epitomises the culmination of all these glorious efforts of the past ...a cocky cop slaming hero , the antagonist to drug Lords , the gold smugler glory , the kingpin who keeps a low profile in a country side with roots in traditional martial arts who himself is a Lord for his country men... However the film is a swagger in itself, shot on a massive background with anamorphic shots flooding and quality seen like never before ...the multi dimensional script with shrewd backdrop that unfolds the obscurity ( yet evident ) and satirically unravels the mockery of the present Indian political scenario that is mortgaged to money. It is appreciable that amidst the cinematic hustle the film manages to realistically portray the pathethic situation of women being preyed upon in a patriachal state irrespective of where they belong... The film justifies the war between evils but protagonises the one which is less poisonous among comparison. The inceptive directorial effort from Prithviraj is a treat for fans and enthusiasts of the popular cults by transfiguring the asthetics intricate to Mohanlal's maestroic legacy. Many had Lucifer, compared with Petta, for the fanboy effort in glorifying his ideal however Lucifer with facets unparalleled is a class act and a conscious effort that provokes to celebrate the theatrical experience... The artists in the film had been at their quintessential best with Vivek oberoi and Manju Warrior with their class acts and the dedicated excellence by the rest Ultimately Mohanalal is back on the big screen, just the way a 90s kid would have wanted to celebrate him