Kripal Mishra

Definitely worth your time. Easily in the top 10 political films.

Excellent transitions and camera work. Work of such great quality really made the difference. With a decent script the movie does little to amaze you if you've seen Fight Club and the Machinist already. You see the Climax coming from almost an hour before. Kind of let down there. Full marks for Cinematography and Editing but Story wise nahhh

The movie is undercooked. Except for the placement of Title card, nothing is exceptional. A few action sequences here and there keep you in the zone and that's pretty much it. Terribly long interval sequence, should have cut way ahead. Great camera work, a few shots even seemed like proper IMAX shots (not sure if the footage was borrowed) The entire world is so small that every character ends up having a connection or blood relation. A little messed up there. Repeated introduction style scenes of HRK too felt unnecessary beyond a point. I wouldn't call the movie an utter disappointment, but there was no real emotion that could get me rooting for it. Like genuinely I was just not engrossed through the narrative. The emotional scenes felt like a drag, in fact the entire movie was a collection of dragged sequences directed around the premise of India's retaliatory strikes. Few scenes reminded me of Lakshya as well, signs that HRK takes his appearance rather seriously. All in all an average film.

Great visuals and music do little justice to the poignant story. Watching it on a big screen, I couldn't help but notice how much of the movie's concept was inspired from the 2004 blockbuster Veer Zara. Except for the espionage part, everything was pretty much the same. What makes the movie feel great to the heart though are the performances. Mrunal and Dulqueer nailed it. Bloody brilliant acting. The Kurukshetra sequence too was very well shot. The movie like every typical feel good flick gets fussy and slow for a quarter of an hour but the ending definitely lives up to the hype by going against the typical narrative of all ends are happy ends.

A half cooked espionage thriller that sails through setbacks and flashbacks. Ashutosh Rana and Jackie Shroff deliver powerful performances but Prakash Raj and Sanjana were as irritating as ever. The movie starts pretty slowly giving a glimpse of naive writing and screenplay until it catches up in the second half with fast paced action scenes. It does well to evoke a sense of purposefullness in life but then the Deshbhakti ki lehar overshadows everything else. The movie does have its fair share of twists and turns but beyond a point they all get pretty bland. The action scenes are over the top towards the climax and do very little to keep you enthused. I feel sorry for Ark. He needs better scripts to shine as an actor.

We've seen stuff like this plenty of time. Very amateurish and naive. Had to fast forward my way until the end. An eye opener on religion maybe of how gorious a man can become to satisfy his own pursuits. Everything seemed over the top though. Apart from the religion aspect, what's even the point of this movie.

What a movie! The visuals were stunning. The background score was the best. The direction couldn't get better. The only problem is with the acting. Three of them failed to express emotions of despair at a lot of times and you could notice the drawbacks. All in all, a must watch. Perhaps one of the best movies made on Sea.

If there'll ever be a list of greatest movies made on India, Delhi -6 will be a part of it. Excellent, honestly it's just excellent. The camera work can put western classics of our time to shame. The music isn't just impactful but heavenly. Heavenly!!!!! I love this movie!

"The evil always die". A Michael bay action thriller does what it promises to but hardly in an influential way. The movie has its moments. Fine moments where you feel the music and chase sequence sync beautifully. Regardless it's a drag, a 2 hour long drag of an otherwise exciting car chase. The action sequences sure are good but hardly meaningful. The performances are excellent but again without any influence. Above all the editing of the drone shots looks really weird, I mean they're shot well but almost suddenly cut. All in all a complete movie for the action lovers but for those seeking substance, not worth spending on

To all those boycotting the movie because of Alia and Ajay (calling them results of nepotism), what about Ram Charan and Tarak? Bloody entire Telugu Film industry runs on nepotism, not a single face (except Nani i guess) isn't from an affluent family.