aravind babu

Bhimaa sees Gopichand embracing a new genre, offering audiences a refreshing cinematic experience. His portrayal of the titular character, a police officer named Bhimaa, resonates with sincerity and conviction, particularly in the riveting action sequences. the film with dynamic energy and stunning visuals keeps audience engaging. The interval sequence and climax emerges as a highlight.

Drushyam 2 surely lives up to all expectations. The sequel has solid performances, good twists, and crisp narration. Barring the slightly slow first half, this film ends as a clean and gripping family drama that can be watched by one and all this weekend.

Second half is slightly better than the bad first half. 2nd half has good 15 minutes of Bhola Bhai elements, Two Good songs and bearable to fans to a limited extent.Meher Ramesh’s direction and writing is the main culprit. The story is 70s, direction is 80s type and as Outdated as Doordarshan. It is irony to see Megastar Chiranjeevi imitating Pawan Kalyan histrionics to stay relevant.Overall, the film could have been way better. Only megastar mania can save the film

The movie is strictly for balayya fans. And sweet warning to the director dont write stories based on heros just consider general public also

Worst movie slow screenplay and borind

Godfather stays true to the original, but there are enough tweaks to appeal to telugu audience. Megastar Chiranjeevi is tailor made for the role of Brahma. We hope this heralds new wave of characters for him. Nayanatara and Satya dev fit the characters very well. Salman adds to the star power and it is nice to see both Megastars together on the screen. However, there is not much depth in his character. Overall, Godfather keeps you engaging throughout and a come back film for Megastar.

movie that had potential to be decent is wasted by senseless writing and cringe worthy scenes! Vijay devarakonda tried his best and body transformation is great but his stammering is annoying. Heroine track is awful. Other than a few moments, Nothing else to mention.

Ante Sundaraniki’ offers good laughs and a satisfying final act despite the meandering initial sequences. The unrealistic situations and childhood episodes initially put us off. But the actors and the emotional scenes in the later part make a difference. Nani once again rocks one word acting KEKA

F3’s biggest backbone is Venkatesh and Varun Tej, this time Anil Ravipudi added some defects to their character like Venkatesh has night blindness and Varun Tej has a stammering problem and Venkatesh again nailed it with his brilliant performance, he engages you in every frame and Varun is nor less, as he tried to match with Venkatesh in every scene and he effortlessly pulled it off, Tamannah as Harika has done well this her character has new shade which will shock at the pre-climax.

The story of the film is below average and the Screenplay is very Poor, the first half is super average and there was nothing to watch except those two songs, The second half was decent but it still fails to make an impact, The Music was amazing and I like the BGM score and the songs of the film. The locations were great but the VFX was very poor in the film especially the fight sequence at the beach was just too bad.