Kaushik Deepak

The first thing I want to say about the first season of farzi web series is that overall farzi web series are entertaining Directed by director Raj & DK, this web series will remind you of the web series - family men. All the actors have done a good job be it Shahid Kapoor, K.K. Menon, Rashi Khanna, Amol Palekar & Vijay Setupati and other supportive actors. But among all the actors, I enjoyed the most when Vijay Sethupathi's scene plays. Like the web series in family men, in this also you talk with the common man in casual talks with abuses, that too to enjoy. Whenever Zakir Hussain and Vijay Sethupathi come on the screen, then there is different fun whether it is the way of talks or the expression or the dialogue. As shown in the trailer itself, there is a gang that is doing the business of making fake notes. The story starts like a Bollywood drama movie. Two friends Sunny and Firoz, who grew up in poverty and helplessness, make fake notes under compulsion. What is compulsion, you will enjoy watching the series. Then how it becomes their habit to make fake notes and then how they join the gang of making fake notes, what happens to them, this is what made the story. The story is left for the next part as I said earlier it is full fun when Vijay Sethupathi and Zakir Hussain come on screen. It is not that Shahid's acting is not good or he looks weaker than Vijay Sethupathi on screen. My view is like this because: People have been Shahid many times before. That's why according to my view this show is 4/5 stars

Radhe Shyam is a 2022 Indian period romantic drama film written and directed by Radha Krishna Kumar. Starring- Prabhas and Pooja Hegde. It is shot simultaneously in Telugu and Hindi language. The movie Radhe Shyam is a pretty good and decent movie to to watch & has all qualities to become a blockbuster hit

***** If you fan sanjay mishra's acting skill and comic timing you must watch this movie. Sanjay Mishra's outstanding performance is complemented admirably by Deepak Dobriyal, Avtar Gill and Sarika Singh. Nice story, Beautiful screen play,

I give to this movie **** out of 5 Review: Sam शहर में एक उच्च फैशन पत्रिका के संपादकीय टीम के मुखिया, एक उच्च वृद्धि वाले, डॉन्स डिजाइनर कपड़ों में रहता है, और एक बॉयफ्रेंड (सिद्धार्थ मक्कार द्वारा अभिनीत) के लिए एक बॉलीवुड अभिनेता है। तो, क्या संभवतः गलत हो सकता है? सब कुछ बदल जाता है। विक्रम भट्ट का evil हैकिंग ’नामक डिजिटल दुनिया की बुराई का चित्रण पहले केंद्रीय चरित्र के गलत तरीके से प्रदर्शन को रोकने जैसा लगता है। लेकिन, इसके तुरंत बाद, साजिश हमें एक बीमार कंप्यूटर जीनियस के मुड़ मानस की ओर निर्देशित करती है - एक व्यापक व्यक्ति की प्रतिष्ठा को धूमिल करने के लिए व्यापक पीछा, ब्लैकमेलिंग और दुर्भावनापूर्ण इरादे। रोहन शाह अपने इस जुनून के जीवन के विषय पर कहर बरपाते हुए समाजवादी होने की कोशिश करते हैं, लेकिन आखिरकार वह क्या करते हैं, एक हानिरहित बच्चा है - यहां तक ​​कि जबरन चौड़ी आंखों वाला काम और गुस्से से कांपना इस युवा के लिए काम नहीं करता है। अभिनेता। मोहित मल्होत्रा, लवली के पड़ोसी-दोस्त, रोहन मल्होत्रा ​​के रूप में, स्क्रीन पर बहुत सुंदर दिखते हैं, लेकिन एक शानदार शो बनाते हैं।

I give to this movie🎬**** out of 5 First time Aaditya has been shown in action. 'Malang' has been applied in theaters. The viewers have seen. The rest will go after studying. The story is about two people named Advaita and Sara. Both of them have come to visit Goa. Let's spend a few days together. Fall in love And then life gets embraced by them. Something happens with this couple on Christmas night, which changes the lives of 6 people. Just five years after that night, Advaita starts killing the policemen. Seeing his name in his hit list, two policemen Agashe and Michael start catching him. But a lot of things happen in the meantime. In the film as well as in the lives of its characters. In a very suspenseful way, the film moves forward and ends with a dangers idea.

Mardaani 2 is disturbing, chilling, heart-wrenching and makes you uncomfortable; and perhaps that’s what the makers intended to achieve through this edge-of-the-seat crime thriller. Written and directed by Gopi Puthran with Rani Mukerji in the lead role, Mardaani 2 highlights the gruesome crimes against women, but also delves deeper into issues such as women safety, gender inequality, misogyny and toxic masculinity. Superintendent of police, Shivani Shivaji Roy (Rani Mukerji) is out to capture a criminal (Vishal Jethwa) who rapes young women in a fit of rage before cruelly murdering them. The trouble is, he is always one step ahead of the cops, playing a cat-and-mouse game on his own terms. Shivani comes with her own strengths -- she has the knack of studying a crime scene in the most detailed manner, a trait that her male subordinates detest. In the chase that follows, you are invested in finding out how, and if, Shivani will catch him before he lets the monster out again. Mardaani 2 is not the first film to bring heinous crimes under the spotlight but it manages to tap into social consciousness given its timing. As the nation seethes after the horrendous rape and murder of a doctor in Hyderabad and its aftermath, the film once again takes us back to the brutality of such crimes and how we need a firm solution. Playing the top cop, Rani Mukerji looks convincing and impresses with her controlled performance from the word go. The expressions of anger and helplessness on her face resonate with you. She has some hard-hitting dialogues and manages to strike a fine balance between her duty and emotions, never going overboard. Debutant Vishal Jethwa as the mysterious and egotist villain is spot-on. It’s not easy to deliver such a confident performance, especially when you are cast opposite someone as seasoned as Rani but Vishal holds his own. While Mardaani 2 makes you hate the perpetrator, it also shows the larger systemic problem that lead to hate crimes such as these. The director gives the bad guy a fairly believable back-story involving a troubled past and childhood making us go beneath the surface.

Rating *** 'मोतीचूर चकनाचूर' फिल्म का टाइटल ही काफी हद तक फिल्म के बारे में बता देता है. फिल्म पुष्पिंदर (नवाजुद्दीन सिद्दीकी) और ऐनी उर्फ अनिता (अथिया शेट्टी) की शादी पर आधारित है. फिल्म में ऐनी एक ऐसा किरदार है जो शादी के लिए कई लड़के देख चुकी है. ऐनी इसलिए शादी करना चाहती है कि शादी के बाद वो विदेश जा सके और वहां पर फोटो क्लिक कराकर अपनी दोस्तों को दिखा सके और इंटरनेट पर शेयर कर सके. इसलिए ऐनी विदेश में काम कर रहे लड़के से ही शादी करना चाहती है. इसी चक्कर में ऐनी कई लड़कों को रिजेक्ट भी कर चुकी है. वहीं पुष्पिंदर 36 साल का एक कुंवारा लड़का है, जो दुबई से लौटता है और किसी भी कीमत पर बस शादी करना चाहता है. लेकिन पुष्पिंदर को कोई लड़की नहीं मिल पाती. हालांकि जब ऐनी को पता चलता है कि पुष्पिंदर दुबई से लौटा है तो ऐनी पुष्पिंदर को अपने प्यार के जाल में इसलिए फंसाती है कि वो उसके साथ दुबई जा सके. इसके बाद ऐनी पुष्पिंदर से शादी कर लेती है. भोला-भाला इंसान पुष्पिंदर ये नहीं जान पाता कि ऐनी को उससे प्यार नहीं है और वो बस दुबई जाने की खातिर उससे शादी कर रही है. लेकिन कहानी में ट्विस्ट तब आता है जब सबको पता चलता है कि पुष्पिंदर को दुबई की नौकरी से निकाल दिया गया है. इसके बाद कहानी क्या करवट लेती है, क्या ऐनी दुबई जा पाती है नहीं? दोनों की शादी टिक पाती है या नहीं? इसके लिए आपको फिल्म देखनी होगी.

Rating *** Marjawan Movie Review A tanker mafia king like Anna (Nassar) was found by Raghu (Siddharth Malhotra) near the gutter in childhood. Since then, Raghu grew up in the shadow of Anna and has been the right hand of Anna in all the dark exploits and violence of the crime mafia. Raghu serves Anna’s orders at all costs, which is why Anna considers him more than his son, but Anna’s real son Vishnu (Ritesh Deshmukh) hates Raghu. Being physically dwarf, he feels that despite being the real heir of Anna, the honor is given to Raghu. The entire colony wants Raghu, including bar dancer Arju (Rakul Preet) and Raghu’s three friends. Raghu’s life changes completely when he meets Zoya (Tara Sutaria), a dumb girl from Kashmir. Raghu along with music lover Tara wants to move on the path of goodness, but Vishnu creates a situation that Raghu has to shoot his love Zoya at his hands. After Zoya leaves, Raghu becomes a dead body. At the settlement there, the oppression of Vishnu increases. Will Raghu avenge the death of his love Zoya to Vishnu? Will he save his friends and town from the slaughters of Vishnu? You will know this after watching the film. We have also seen the story of writer-director Milap Javeri who has woven the story with all the emotions like Pyaar-Mohabbat, Badla, Qurbani. At the interval point, the hero’s murder of his heroine seems a new thing, but due to the weak screenplay, it is unable to make its impact. The kind of larger-than-life characters Milap has put on screen, they seem shallow due to lack of credibility. In the film, heavy dialogues such as ‘I will beat you will die, I will die from being born again’, ‘Jumme ki raat hai, Badal ki baat, Allah bachaye tujhe mere war se’. All the emotional tracks in the story, the melodrama is coded in it. Action is strong. The music of the film is being liked. Jubin Nautiyal sang in the music of Payal Dev, ‘Tum hi aana’ is melodious. It is at number two in Radio Mirchi’s Top Twenty list. In the music of Tanishq Bagchi, ‘Ek To Kama Jindagani’ by Neha Kakkar and Yash Narvekar’s lyrics is at number five in Radio Mirchi’s list of Top Twenty. Nora Fatehi looks beautiful in this remix song. Raghu’s role has been faithfully lived by Siddharth Malhotra, but his role absences depth in its texture. Riteish as the dwarf Vishnu has managed to portray his villainy. He is able to show the complexity of his character on the screen. Tara Sutariya looks beautiful. He has done justice to his role, but his and Siddharth’s chemistry has not been able to color. Rakul Preet plays the role of a bar dancer. Ravi Kishan has been dismissed as Inspector. Nassar is remembered in the role of Anna. The collaborative cast seems very melodramatic due to the formation of their roles.

Saand Ki Aankh Story:**** out of 5 The biographical film traces a certain part of the lives of India’s oldest sharpshooters, Prakashi Tomar and Chandro Tomar, and leaves us with an inspiring message. Right at the beginning of the film, director Tushar Hiranandani sets up the stage, giving the viewers a glimpse of a household, where a woman's identity depends on the colour of the dupatta that she drapes. In a scene, Bhumi explains to a newly-wed Taapsee that the women of the house stick to wearing a 'ghunghat' of a specific colour as it helps avoid confusion among the men in the house. Bhumi and Taapsee are in great form as grandmothers, who are willing to do anything to inspire and help their granddaughters. The two leading ladies carry the film on their shoulders effortlessly. Their indomitable spirit shines through even when the going gets tough. Whether it's sipping on many glasses of champagne or standing up when they are bullied by a bunch of teenagers, the two walk the road hand-in-hand and prove to be equally competent. At a few places, Taapsee steals an edge over Bhumi, but the latter quickly makes up for it. Filmmaker Prakash Jha, who turns antagonist here, does a good job and is menacing enough to evoke fear and contempt. Of the film’s songs, 'Womaniya' and 'Udta Teetar' add to the entertainment quotient and stay with you even after you leave the theatre. It's a good thing that the dialogues aren't preachy.