S Chris Dellopoulos

A24 vibes with Sydney Sweeney at her fabulous self.

A bit disjointed with several plots and subplots going on at once. But bottom line is the dig is more important than any particular character. The message seems to be that elitist pricks need a hiding now and then.

Pure tailgating on The Wire. If and when there is another series about the Mafia, it will likely be a Sopranos 2.0. WEOTC is simply The Wire 2.0. Bernthal lights up the screen and chews the scenery, but it gets to be a drag, watching him go from long hair to no hair, from uniform to undercover. Bad Baltimore cops rob money. Wow. Deep.

When a $20 million comic actor has nowhere else to go he ends up in a dark, senseless Polish produced version of Story of O. Carrey spends the movie watching a screen as we would watch it, hoping our wives would not come home from work early. Sadomastochist trash.