D +. Chazelle’s vision was moody, flat, monotone, and made the most exciting event in modern human history as interesting as Ryan Gosling portray a catatonic. I understand the emo-vision - the post-modern itch to deconstruct and portray shocking character paradoxes ... but does one need to hyper-manufacture drama to create this? I suppose this is the signs of our times: let’s turn this alternate reality of Apollo 11 into “Survivor”.
What he did get right: costume, cars, and the real horror of deaths of White, Grissom, and Chafee.