Axel Laborde

This is a fantastic post-#MeToo film, with great aesthetics and fantastic acting, in particular from Matilda Lutz. If you're a misogynistic women-hater, then you won't like it, which explains some of the negative reviews. Also, the film almost merges with the genre of zombie movies, which is a fabulous metaphor for the life of rape survivors - another aspects some people didn't get since they only see the film as too unrealistic. In fact, this film is so realistic, it portrays a reality they just don't know. What a great film!!! I wished the actress had more lines to tell though, and that she could enjoy a bit more her revenge, but everything else is spot on.

Sickening film: the frontal nude scenes of pubescent girls of 12 and under, and the near sex act of underage kids have no justification whatsoever if not to show that they come from the mind of a perverse pedophile - the director Christophe Ruggia. Oh and if you think the nudes and sex scenes were "innocent", remember that Ruggia was accused by the actress, who was 12 at the time, of sexual harassment. He was nearly 40 at the time. In addition to this, the film has no credible story, adult female characters are almost inexistent or with shallow roles and life traits - the mother is... just a mother (what job, life does she have?), and only men are the sable, informed, knowledgeable and socially active characters. The only credit the film could have, to have represented autism (the young girl is autistic in the film), is thus smashed by a paedophilic scenario. How could such a film have made it to the screen??? It definitely stains French cinema.