Saw Bajirao Mastani yesterday. Reflected on the movie and came up with this version of my take on it.Thought, is it relevant? Does it hold any water? Nonetheless, here I go.
It has been a down time for me for quite sometime, and I really was looking for something crisp which can alleviate my mood. Did the movie help me? It did, to an extent. It transported me to a world, which must not have been that exquisite as it is shown, but a world which was captivating and seemed real. The characters well etched and their growth palpable. Was shuddering with the thought that the Director might have spoofed the characters. But unlike Mr. Dutta, who slaughtered Umrao in his interpretation, Mr Bhansali is a painter and master of nuances. He recreates the atmosphere, and the passion flares up in every frame, and has been able to seamlessly integrate the bygone era with modern look. The movie draws inspiration from the Classics like Pakeezah, Mughal E Azam and Umrao Jaan, and for a good valid reason. These movies(few others would be Shatranj Ke Khiladi, Anjuman, Gaman, Garam Hawa,Junoon(not the one where Rahul Roy changes into an animal in a jiffy!!!!)) are landmark in depicting the rich and mesmerising Muslim culture and could be considered as subtle representation of a certain segment of the society. The diction , the whole persona and the mood have been rightly captured by the Director. People who have subsisted on movies like Mughal E Azam will straight away see the sister of Anarkali from Mughal E Azam emerging from the screen as a maid of Mastani. The amorous eyes and sonorous voice of Meena Kumari with her tresses floating in a small pond like structure, and a reptile fleeting around lifted the tone of the movie Pakeezah. This movie has that type of feel and It is these moments which uplift the movie to a different pedestal altogether. Unblemished acting from each and every actor. When movies like Mughal E Azam and others mentioned earlier were created, the recreation of an era must not have been that big a challenge, as the era had not died its death. But this is a different time where lot many aspects of our earlier societal values have become either irrelevant or have been dumped in the backyard. Imagine Deepika Padukone, the alpha actor who has been lauded for Cocktail and Finding Fanny and Piku, coming up with this act to sweep you off your feet. She looks mesmerisingly beautiful and acts the part with great sensitivity. That is hallmark of a great actor. The same for Mr. Ranvir Singh. What an act. He rightly drew an analogy between him and the Director vis a vis De Niro and Scorcese.
The downside. First, for good reason, the gifted Director who also has given music for the movie, could not retain all the songs.The movie, after all the pruning, stood at three hours.So I missed seeing picturisation of sonorous and full of dramatic content laid songs like “Ab toh Jaane na Doongi”. I guess the song would have the mood of song “Na jaao saiyan”from another path breaking movie Sahib Bibi Ghulam. i wish the Director’s cut DVD will have all the songs in entirety.Secondly,the externalities of characterisation( for Bajirao and Mastani) gets upperhand to the internal relationship dynamics between the protagonists. Thirdly, the movie had the opportunity to give blindfold moment, which could have made it a little edgy, which it missed.
Nonetheless, the movie is a painting, and a painting worth seeing.
Quite a job to write up with sincerity about a movie!!!