Subham Mishra

It is an exploration of the pervasive cycle that is wrongdoing and compensation, both within and across ethnic boundaries. The mystic is laced with dismay and authentically detailed stimulating perceptions. Parallels can be drawn with Peter Strickland's "In Fabric." The ending weaves an ethical conundrum. Should a girl protect her tormenter, having been consistently marginalized by an exacting society? I believe, reparations ought to be paid, in one form or another.

There's nothing wrong with season 2! I don't get what people are obsessing over but the creators were simply trying to map the protagonist's character development by situating him in a relevant, albeit underserved, setting. Jack Ryan's supposed to be an American hero. The second season documents his swag amidst Venezuela's geopolitical turmoil. As a CIA officer, this fits right in with the broader narrative whereby the US has been accused of meddling in Latin American elections. The characters are interesting, motivations can be inferred with ease, and the good guys win. We see Jack do stuff he couldn't have justified in the first season. This is an excellent spy thriller. If your ignorance does not allow you to recognize anyone but an Islamic extremist as a threat to the Democratic fabric of society, then you need to watch the second season. If you still haven't changed your mind, you probably aren't going to. There are many shows inferior to this one that have been showered with unwarranted appreciation. I believe when individuals offer their ratings, they ought to consider the broader context of content standardization that is promulgated thereby. This show qualifies as a 4.5/5. Am gonna rate it higher to offset the injustice. Cheers

An unique concoction of surrealism and malevolence, In Fabric treads dodgy waters whilst lubricating forbidden urges. A multilayered, stimulating narrative validates typically celebrated motifs that pervade life. Indeed, mankind's prowess to embellish routine amidst existential quandary sketches an intriguing imagery. Thoroughly enjoyable!

An underrated gem.

It don't make no sense. Waste of time!

This movie's gonna bore the living daylights out of you, not! Surprisingly, you would relate to the protagonist and find yourself getting emotionally involved without ever realizing it. There's so much more at play here than what meets the eye! Locke never disappoints and always intrigues.

A celebration of absurdism, by talking between the lines, Toni Erdmann absolves itself from being reductionist. Never seen anything like it! Made me waltz to the shimmering aisle and reminiscence about things yet to come. Sounds ridiculous, I know. Toni Erdmann challenges you with its in-your-face humor that might manifest as being cringe-worthy to some. Yet, the beauty of the film lies in its ability to get you exactly where it wants. I dare not review it and infringe upon the sanctum of its metaphysical beauty.