Neil Walpole

This television experience is the most authentic LGBTQI drama that I have experienced. The writing and integration of times decades and eras is spot on. A lived experience that resonates. Truths that have been sidelined for decades laid bare. Lives limited, imprisoned and tortured by fear and assault. Here we have curtains lifted. Love is love. Nature is nature. In fact the passion and intimacy cries for truth and is there for all to see . The cast is so well chosen. The leads are like a representation of gay nirvana amidst a shit storm. The intimacy coach has given us the best private seat in the room. Jonathan Bailey's Skippy the heart and soul of the story. His truth is so moving at every stage of his life journey. Matt Bomer plays a complex puzzle of a frightened yet driven man Hawk. Who takes so long to let go. So many opportunities for opening up but a true victim of the Lavender Era. Control for him is everything until it isn't. I could go on, however the ending left me sobbing and feeling that my life has been reflected for the first time in a film or public arena. Thank You Daniel Monahan and Ron Nyswaner. Thank you everyone.

This films best element is sexual tension. The electricity between these two. No words needed. The outcome says a lot about acceptance and being out. Who has the power? Not the couple unfortunately.

I went to this film expecting a fun ride. It delivered in spades. However without the core genious of Brad Pitt it would have just been another action flick. The dude vibe kept slowing down the impact of the violence and mayhem. His contemplation and mind bending nonsense gave the film its heart. A through line of pure good luck and a sense of karma. Performances fitted the comedy and through plot with stupid repate'. Worth every dollar and a great cinema experience.

I did enjoy this. Not so much for the storyline but the body comedy used by Sandra and Tatum. They were very much on task. The role played by Brad Pitt was the star attraction. Even Daniel Ratcliffe gave his all. I was disappointed by the romantic arc as it was too predictable. Please try to write scripts that pay homage with a plot that is meaty enough to carry freshness and common sense.

This production is tremendous in its ability to explore the inner workings of mental health issues. The various points of view allow external misteps as well as those with insight. Dangerous chatacters are hidden from view to some but not to others. Real life is also twisting and turning throughout. The script and acting are brilliant.

I think that this program is shallow and hollow. The characters go through the motions rather than being true. It is disappointing to be let down by a british crime series. British crime is the best in the world but unfortunately not this one.

This was truly moving. The opening was impactful. I came away impressed. However why do the editors neglect inappropriate modern slang. OK is not ok in an historical context.

Tries too hard. No subtlety what so ever. A waste of talent sacrificed to one ego. Steve Martin.

Viseral and honest attempt at placing an audience in three ground zeros. Pacing can be a little off as tension is the only driver in some instances. Perception and odd delusions drive most of the characters. I admire the vision behind this series.

This film is like Looking for Private Ryan but with soul. A fantastical adrenaline inducing journey. Historically detailed and evocative of the chance encounters that disrupt the objectives of war and common sense. Simple heroics are intensified by tge randomness of the battlefield. What makes a hero an do we need to know that these exist other than in the moment. Brillant editing and cinematography.