Shijoe Joseph – Google

This and Angels in America are two of the most depressing and pretentious pieces of crap, ever, on telly! Watching paint dry on walls is a joy compared to this spectacularly disgusting filth everybody so rave about bloody incessantly! The first two seasons peaked at just how disgusting it can possibly be. then it took a nose-dive to pure cunting shite from third season onwards. Not a single character, except Kathy Bates and Frances Conroy most of the time, I could find! And then i stopped watching because i couldn't get past the ninth episode of season 3, as the series kept getting incredibly boring and appalling in a vile manner, minute after minute. I hope they all die and burn in hell perpetually, except maybe Kathy Bates, Frances Conroy and the baby because they did what they could with their characters. The rest were all nauseating and untouchable indeed as scheduled caste untouchables in India!

Six Feet Under

Dear Evan Hansen

It began good but then entered the realm of snoozefest bollocksian forest in the third episode and decided to dwell there perpetually. The only reason why people watch this overrated bollocksian shite is to thirst after the main two actors as they are quite good-looking lads, indeed, but this isn't the subject they should have chosen for that thirst session! Book in itself is not even recommended for light reading by historians. Ergo, it only makes sense as to just how bad the serial would be, despite its promising start. There are much better and well-executed Holocaust documentaries (Claude Lanzmann's Shoah and its accompanying ones, to cite a good example), films and shows out there, so don't waste your time with this absolute nonsense of a crap with zero substance!

The Tattooist of Auschwitz

I didn't expect to be this taken by a period-drama set in America, other than John Adams, but this is done quite well; HBO is as HBO does. It reminded me of the 2001 BBC adaptation of Anthony Trollope's The Way We Live Now, starring the incomparable David Suchet (but not as good for understandable reasons), who immortalised Poirot! And Ada and Agnes reminded me of Sisters Jenkins, Matty and Deborah respectively, of Elizabeth Gaskell's Cranford and Return to Cranford adaptations. From a technical standpoint, i wished they had increased the overall brightness and contrast in all interior scenes, for they were too dark that said darkness related visual wear and stress ate one star of this here humble review of mine, alongside the nonsensical modern-day White man's guilt rubbish --- Season 2 episode 5, where those two White men barged in and created all that ruckus in that little Alabamy restaurant. The main one of the two, in a production from the good ol' days of historically accurate portrayal, would have used the N-word just as easily as 'boy!' but oh, no, not here! Revisit the 90s classic, Fried Green Tomatoes, for one, and you shall see what i mean. That little hiccup aside, the production design was excellent, and CGI was done quite well and tastefully. The framing of each shot was immaculate! Costume design, needless to say, was exquisite! And a special, heartfelt mention to the original background music by the Gregson-Williams Brothers (Narnia will always be in my dreams just as how he tuned it) is a blissful treat in itself; one of those few series where I did not once skip the beginning and ending credits! Season 3 is due this year and I am curious enough!

The Gilded Age

3 likes

Wit

Conspiracy

Joker: Folie à Deux

Twisters

Empire Falls

1 like

Carnivale