It is rare to see such level of perfection in a show. The Journalist is a show that manages to demonstrate a bold, unwavering conviction to get across a message, meanwhile excelling at pretty much everything: be it cinematography, screenplay, character portrayal, anything really.
What does it mean to be a member of society? What role does one play in it? What can we do for the society and how does that connect to being a responsible person ourselves?
These are some of the more abstract level questions tackled by the show, in the context of Japan.
Ryoko Yonekura might just be at her best here. She has been known for her charismatic individuality and confident demeanor. Here she manages to embody both the role of a confident journalist who will stop at no bars to represent perspective, truth and voices of the masses, but also that of an empathetic person, who is familiar with the pain of losing their loved ones.
Exceptional.
The same can be said about much of the rest of the cast actually. I am astounded.
There are many poignant themes in the show:
Jou-ge kankei, or power hierarchy, has been an integral part of Japanese community. At times it helps people understand their position in reality. But more often, especially in corporate life one finds themselves a victim/perpetrator/silent observer of the same.
But perhaps the most important theme here is guilt. The guilt coming from forgetting one's principles/ideologies. The guilt coming from being passive to unjust activities. And much more.
There is however an issue. The show does not talk about freelance or independent journalism at all.
On the other hand, both the perils of digital news as harbringers of misinformation and its efficacy in reaching to a larger audience are demonstrated.
Some viewers might end up interpreting this as a glorification of the printed medium. They would be mistaken, in my opinion.