After a harrowing deployment during Iraq war in 2007, young American soldiers Adam (Miles Teller), Solo (Beulah Koale), Michael (Scott Haze) and Billy (Jose Kole) return home to Kansas - only to find themselves victims of post traumatic stress disorder (PTSD), difficult personal lives and not so convincing help coming from Department of Veteran Affairs. Adam has nightmares and feel of guilt arising from death of Sgt.Doster for which he blames himself. His wife Saskia (Helen Bennett) with her two young kids tries to help and adjust. Out of confusion Solo falls into the trap of drug and weapon peddlers and has delusions, while his wife Alea (Keisha Hughes) gives birth to a baby. Michael must come to terms with hemiplegic body. And Billy shoots himself in front of Bell(Kate Sheil), his fiancée as she wouldn’t go with him.
At one level, ‘Thank You’ sends an anti war message, depicting the hollowness of war and its aftermath. At another, the film is a human drama of the battles that must be won within. Based on David Finkel’s book, the soul searching sojourn by Jason Hall in his debut directorial outing, captures the inner solitudes of the war veterans and their dear ones - in an impersonal society for whose safety they had gone to fight, in the first place.
To its credit, the film measures up quite well in the face of unfair comparison to its predecessors of the same genre, ‘Best years of our lives’ (1946), ‘Coming Home’ (1978), ‘Born on the Fourth of July’ (1989), thanks to deft handling of the theme. Fine performances by all the lead actors and excellent sound tracks by Thomas Newman that also has a Bruce Springsteen credit song (Freedom Cadence), adds to the overall charm that the film holds.