Andrew Kress

In this astounding reboot that redefines the franchise, Elizabeth Moss again proves that all a great actress needs to hold you in the palm of her hand for 2 hours is a camera, a microphone, and a light. From the opening scene, the suspense is the kind of tightrope-walk-over-the-Grand-Canyon intensity that makes you hold your breath without realizing it. It has none of the second act/third act lag that the constraints of franchise typically impart. Rather, Invisible--Filmed under 10M, will cause a lot of people in Hollywood, hopefully, to remember that film making, and not mere spectacle is what built the film industry. It took no special effects of note to pull any of this off, and Moss steps into and drags us with her into a world where a hairbrush sitting on a window seat ledge can be scary. Real, real scary. Great date movie, great movie period. Go.