shar dgrah

The writing and directing of Tracker keep getting lamer and lamer. This show started out a good way to spend part of a Sunday night, not entirely unique but different and interesting enough to keep me coming back (watching Justin Hartley definitely tops of the list of reasons). But logic and realism have been dropped from the storylines and sometimes the actors say their lines as if they’re questioning their personal life choices instead of being in character. All the victims, families, friends who pitch in to help with the search, and local authorities are all interchangeable with previous episodes, and repetitive. Even the crew who help Colton are pretty one-dimensional despite flimsy attempts at backstories. I will miss watching Hartley, but I’m pretty sure the next episode will be my last. There’s always hope…

OMG , could this be worse? Storylines AND creepy juvenile sex-crazed characters from the 1970’s are so outdated I was beginning to think it was a parody. The writing was bad; the acting was bad; even the sets were bad. Was that an indoor 20 foot lap pool? Because it certainly wasn’t a luxury cruise ship pool. What a letdown and waste of what was probably a good premise, even if it wasn’t original. Thumbs down.

I love this show. The first episode was confusing, but the mood colors really help. After several episodes (5, I think) the timelines and the characters' lives in each are clear, and the writing really stands out! The Easter eggs and references within each story are fascinating and exciting, expertly mixing humor and serious issues. The acting and production values are excellent. I especially love the unique and creative concept. My only fear now is that it will be cancelled because it's not a flimsy lightweight but takes thought and attention. Wow, we have to think! What a novel idea! By the way, I love the kid! So talented and his personality is so funny, brilliant, and brave!

Since when did frenetic, unfocused, whimsical energy and forced goofball antics equate to interesting?

Have only watched 3. Found them a bit shallow and obvious despite general theme of introspection, which should really take the characters into much deeper exploration. Acting is great, obviously, but some of the references are old, which makes me think the episodes are written by an older person (I'm one too, but still think referring to "Carousel" and "Oklahoma" as musicals a fairly young person would sing to is outdated). Might continue watching the rest tonight just for the acting, but not getting much else out of them.

I love this show. Each character is a unique personality, and all the members of the agency act like family, at times warm and caring, other times at each others’ throats, with lots of fun predicaments. You would think, because it’s mainly centered on the movie industry, the situations would start getting repetitive, but each episode is fresh. I love watching real French actors and directors satirizing themselves! And the way Mathias and Camille in particular evolve is a delight. It’s very well written and acted. Sometimes I LOL and within minutes I get a lump in my throat. I wish it could go a lot longer.