Kristopher Williams

What this movie does well is nothing short of masterful; easily enough to cover up the film's shortcomings. The layers of social commentary on issues such as gentrification, racism of authority, and police brutality are executed in a thoughtful, intense manner that can be uncomfortable. The creative cinematography and interesting use of paper cutouts to depict black violence throughout the ages is outstanding. In general, the plotting is tight and does a great job of expanding on the overall lore. The film stumbles a bit in the third act by not developing some of the fascinating possibilities teased throughout and instead going in a different direction in the plot, but that doesn't take away from the powerful message and thoughtful portrayal of Black difficulty. Seriously, it's hard to point to an instance where a progressive issue is portrayed problematically. Definitely worth a watch. Every Black woman on screen is in a position of power. The cast is generally very memorable (with the disappointing exception of the lead), and when the movie has an intense moment, it really delivers in spades. The "Candyman" sequences where the character actually appears are definitely a highlight and will make you grimace. The film could've used more Tony Todd overall, and the movie as a whole is generally predictable, but make no mistake, in terms of thoughtful plotting, messaging and overall grit, the film is a standout. It may not be a complete masterpiece, but I suspect I'll get even more out of it on a rewatch. I certainly recommend this film, especially for those looking for an example of good plotting and are progressively minded.