D Anil Das

I'm giving this flick one of the lowest scores in the books, but don't get me wrong, the premise isn't half bad. Watching it in the theater, though, was a real ear-spliter - I mean, headache. It's a paranormal thriller where spirits kill people with a high-pitched sound, and I'm pretty sure the director was on a mission to drive some of the audience crazy with that annoying sound too. My Apple Watch even warned me of hearing loss when things got above 90 decibels. In short, don't even think about watching it in the theater, trust me, your ears (and your sanity) will thank you. 1/10🍿 1 is for the good storyline…wasted

Regrettably, this film does not showcase Dhanush's directorial prowess at its best. Notwithstanding, this does not diminish his capabilities as a director. Rather, the movie relies heavily on his nephew Pavish's performance, who, in my opinion, still requires more experience. Undoubtedly, Dhanush's exceptional talent sets a high standard. His debut film was a resounding success, establishing him as a prominent actor. Pavish, however, struggles to convey authentic emotions, coming across as somewhat wooden. Mathew's comedic timing is impressive, but I felt his character would have been better suited as a Malayali speaking broken Tamil. The movie's themes resonate more with the Gen Z audience, making it challenging for older viewers like myself to accept the premise of a rebound marriage following a heartbreak. Despite this, the film was entertaining, warranting some merit. Nonetheless, in comparison to this week's releases, Dragon emerges as the clear winner.

An investigative thriller that may not be groundbreaking but rather clever storytelling. In the opening minutes, Siddique, on the verge of death, makes a shocking declaration on live streaming. He confesses to having buried a girl in a forest with two others many years ago. Overwhelmed with guilt, he ends his life at the very spot where the girl was buried. Asif, newly returned from suspension due to gambling, is resolute in uncovering the identity of the girl and the perpetrators. One of the named parties is the affluent Manoj K Jayan, who seeks to sabotage the investigation. With numerous missing puzzle pieces, the remainder of the movie focuses on Asif's efforts to solve the case. The film's transition between the past and present was noteworthy. Some actors made cameo appearances, playing themselves. That gives authenticity to the whole movie and make you wonder if it really happened. The nostalgia evoked by the film brought joy, tinged with sadness. The question remains: who is Rekha, really? That was the last piece to the puzzle and the whole movie hinges on that. Worth watching 8.5/10🍿 just for the storyline and the surprise cameos

Film Review: Bougainvillea - Director Amal Neerad delivers an exceptional cinematic experience, marked by classy storytelling and outstanding background music, with great photography. Jyothirmayi makes a triumphant return to the screen after a decade, portraying an artist struggling with memory loss following an accident. This dark psychological thriller builds steadily to its climax, where Fahadh Fasil and Veena, as investigative officers, seek to unravel the connection between missing girls and Jyothirmayi's character, Reetu. Kunchako Boban shines as her long-suffering husband navigating the complexities. Fahadh Fasil, a frequent collaborator with Neerad, makes an impact despite his limited screen time. Let’s face it: even he’s casted as a wallpaper he would still be a scene- stealer Highly recommended.

Movie review: GOAT I don't even know where to begin! Was it the massive build-up over the past week, full of interviews and hype, all leading to the big opening day? Or the promise of it being Mankatha on steroids? The trailer did reel us in, but unfortunately, the movie fell short of expectations. I usually steer clear of spoilers in my reviews, so let's keep it that way. This one's definitely tailored for Vijay fans, with nods to pop culture and his pal Ajith. Thankfully, it's not Vijay's swan song just yet; there's more to come, and the pressure's on for the next one. Sneha and Prashant stole the show, especially the latter who managed to hold his own alongside Prabhudeva and Vijay in the dance sequences. The fight scenes were top-notch, just the right length in my opinion. However, the film stumbled with its multitude of characters and their underdeveloped arcs. Despite attempts at twists, the storyline felt somewhat predictable. VP's claim of safeguarding the trailer's secrets was unnecessary, as there wasn't much depth to unravel. The villains were disappointingly generic, with Mohan not given a chance to shine. That final scene? Completely superfluous. Perhaps a hopeful setup for a sequel that might never see the light of day. Ahem, can someone please clue me in on what VP and the creative producer Archana are watching in those previews? 🤔 Maybe, just maybe, if you're a die-hard Vijay fan like me, you can overlook the flaws and just focus on the superstar himself. But for those who thrive on a diet of intellectually stimulating films, this might just be a tad underwhelming. 😄 🎬 #GOATMovieReview 6/10🍿

Title means plantain. Movie starts with a boy Sivanaindhan played beautifully by Ponvel who dreads going into the fields to harvest the plantains. The semi autobiographical of the writer and director Mari Selvaraj is poignant and an emotional masterpiece. The simple storyline is about abject poverty and adolescence love and a beautiful friendship shared between two boys. Heart wrenching that’s heightened by the music and BGM. 8/10🍿 A Master’s touch

Pa.Ranjith, known for his unique storytelling, delivers another cinematic masterpiece with *Thangaalan*. Just like *Kabali*, this movie may not cater to everyone's taste, but for those who appreciate his style, it's a treat for the senses. Vikram shines in his role, showcasing his acting prowess once again, while Parvathy and the rest of the cast deliver exceptional performances. *Thangaalan* delves into the realm of fantasy while being rooted in a captivating narrative inspired by the guardians of the land of gold, drawing parallels to the intriguing tale of the K.G.F gold. Whether you're a fan of Pa.Ranjith's work or simply enjoy a narrative that pushes the boundaries of reality, *Thangaalan* promises an immersive cinematic experience that will leave you spellbound. And you must watch in a cinema.

"Kill" is an adrenaline-fueled action-packed spectacle that will leave you on the edge of your seat from start to finish. The movie's standout feature undoubtedly lies in its jaw-dropping action sequences that are brilliantly choreographed and executed. Newcomer Lakshya delivers a riveting performance as an Indian commando caught up in a gritty battle against ruthless bandits, setting the stage for a nail-biting showdown. Unlike typical Indian “superhero" movies where the heroes hardly have a single hair misplaced, “Kill" opts for a more grounded approach, showcasing raw and realistic fight scenes where the hero faces genuine challengesii and setbacks, and the last scene it’s left open ended whether the hero succumbs to his multiple injuries. The fight sequences in "Kill" bear the mark of a skilled choreographer, drawing inspiration from acclaimed action films like "Raid" and "John Wick." Each kill is depicted with unique brutal intensity, delivering a visceral and unapologetically graphic portrayal of combat. The star power fight choreographer brought in from Korea adds a unique flair to the film, hinting at a promising future for collaborations in the Indian film industry. "Kill" is a must-watch for action enthusiasts craving a thrilling cinematic experience that pushes the boundaries of traditional action movies. With its heart-pounding action and captivating performances, this film is a testament to the evolving landscape of Indian action cinema. For a newcomer Lakshya is promising. As well the fight master Sea-Young Oh for the Indian market it will be a boon. Raghav Juyal as the self absorbed villain held up his part very well. Nikhil Nagesh Bhatt probably has found his footing into action movies as this may be his best work. 9/10🍿 Watch it before it comes to OTT

"Indian 2" fails to capture the essence of a typical Shankar movie, leaving viewers disappointed with its excessive masala elements and lackluster execution. Despite the underwhelming performances by Kamal Haasan and Shankar, Siddharth's acting provides a glimmer of hope in an otherwise forgettable cinematic experience. The film's unnecessary songs and mindless action sequences contribute to its downfall, resulting in a disappointing watch that falls short of expectations.

"Kalki 2898 AD" is a mesmerizing blend of dystopian elements reminiscent of Dune and Mad Max, paired with the grandeur of sci-fi epics like Star Wars. The infusion of intense war scenes akin to those found in The Avengers elevates this Indian sci-fi thriller to a league of its own. The attention to detail in production is evident throughout, immersing viewers in a visually stunning experience. While the portrayal of the young Amitabh may fall short due to CGI, the overall narrative is captivating, especially with the introduction of Bhairava, portrayed by Prabhas, adding a dynamic twist rooted in the Mahabharata. With the promise of a second part featuring Kamal Haasan as the main villain, the anticipation for the continuation of the Kalki universe is palpable. The prospect of witnessing both AB and Kamal Haasan in their prime on screen is a rare treat, making the cinematic experience all the more compelling. For fans of larger-than-life storytelling and breathtaking visuals, "Kalki 2898 AD" is a must-watch, particularly on the big screen where its grandeur truly shines. Get ready to embark on a cinematic journey unlike any other, where every scene unfolds with a sense of wonder and excitement. Highly recommended